Digging to America: A Novel by Anne TylerDigging to America: A Novel by Anne Tyler

Digging to America: A Novel

byAnne Tyler

Paperback | August 28, 2007

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about

Anne Tyler’s richest, most deeply searching novel–a story about what it is to be an American, and about Iranian-born Maryam Yazdan, who, after 35 years in this country, must finally come to terms with her “outsiderness.”

Two families, who would otherwise never have come together, meet by chance at the Baltimore airport – the Donaldsons, a very American couple, and the Yazdans, Maryam’s fully assimilated son and his attractive Iranian wife. Each couple is awaiting the arrival of an adopted infant daughter from Korea. After the instant babies from distant Asia are delivered, Bitsy Donaldson impulsively invites the Yazdans to celebrate: an “arrival party” that from then on is repeated every year as the two families become more and more deeply intertwined. Even Maryam is drawn in – up to a point. When she finds herself being courted by Bitsy Donaldson’s recently widowed father, all the values she cherishes – her traditions, her privacy, her otherness–are suddenly threatened.

A luminous novel brimming with subtle, funny, and tender observations that immerse us in the challenges of both sides of the American story.
ANNE TYLER was born in Minneapolis, Minnesota, in 1941 and grew up in Raleigh, North Carolina. She is the author of more than twenty novels, including The Beginner's Goodbye, A Spool of Blue Thread, and Vinegar Girl. The Accidental Tourist entered as a finalist for the Pulitzer Prize, alongside Dinner at the Homesick Restaurant, while ...
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Title:Digging to America: A NovelFormat:PaperbackDimensions:288 pages, 7.99 × 5.18 × 0.57 inPublished:August 28, 2007Publisher:Doubleday CanadaLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0385662904

ISBN - 13:9780385662901

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Reviews

Rated 4 out of 5 by from A winner! This novel explores the modern immigrant experience in America by focusing on an Iranian family which lives all the problems and delights common to us all: societal pressures, aging, family challenges, grief! This is one of my favorite Tyler novels and has been read 4 times.
Date published: 2015-10-03
Rated 2 out of 5 by from Repetative This book had the same story line, over and over. The only point of interest was the beginning. There was no mid point and certainly no end in my opinion. A disappointment.
Date published: 2015-03-06
Rated 3 out of 5 by from Disappointing This novel offers the premise of a unique idea: two families drawn together by the fact that they met an an airport to pick up their adopted Korean daughters. As the novel progresses, it becomes less about the daughters and more about the two characters, Dave and Maryam. This would all be well and good, if I hadn't purchased the novel exppecting it to be about what it was described to be. Little is said about the young girls and their lives. Plot points suddenly fall into the fray without so much as an explanation, especially if it doesn't build on the plot surrounding Maryam and Dave. While the prose is well-written, the subject matter is not. All in all, it's a good read if you're interested in two shaky families making friendship with a common bond, but if you're looking for a book about adopted daughters, skip it.
Date published: 2009-03-11
Rated 2 out of 5 by from Had potential... The story begins with two families waiting anxiously for the arrival of their Korean babies. What transpires is the story of how their lives become intertwined over the years that follow. I enjoyed the focus that was placed on immigrants struggling to fit into an american society, but feel the storyline could have been more developed. I found myself reading and waiting for something significant to happen...not too sure it ever did. I didn't dislike this book by any means, but it won't remain etched in my memory.
Date published: 2008-10-08
Rated 5 out of 5 by from Excellent book I think it describes, in a way , each person that immigrated to North America. It's a wonderful story about integration,adoption, friendship and family ties. Loved the book. Every character pulls you to the story. It's a very nice read.
Date published: 2008-01-29
Rated 4 out of 5 by from Nice Really enjoyed this book.
Date published: 2007-11-25
Rated 5 out of 5 by from An Excellent Read I picked up this book while restocking the shelves at Coles. I absolutely loved it. I found Ann Tyler's descriptions and character personalities to encompass the reality of international adoption. Her book was an excellent mix, and I found it to be a quick enjoyable read. I think the book represents a culture mix and clash on all fronts. It discusses assimilation and cultural alienation in the context of both families, Iranian-American and American. The character of Maryam was very well written. This edition also comes with an author interview in the back which really helped shed a lot of insight in Tyler's methods and aims in writing the novel. I thoroughly enjoyed this novel!
Date published: 2007-09-24

Read from the Book

At eight o'clock in the evening, the Baltimore airport was nearly deserted. The wide gray corridors were empty, and the newsstands were dark, and the coffee shops were closed. Most of the gates had admitted their last flights. Their signboards were blank and their rows of vinyl chairs unoccupied and ghostly. But you could hear a distant hum, a murmur of anticipation, at the far end of Pier D. You could see an overexcited child spinning herself into dizziness in the center of the corridor, and then a grownup popping forth to scoop her up and carry her, giggling and squirming, back into the waiting area. And a latecomer, a woman in a yellow dress, was rushing toward the gate with an armful of long-stemmed roses. Step around the bend, then, and you'd come upon what looked like a gigantic baby shower. The entire waiting area for the flight from San Francisco was packed with people bearing pink- and blue-wrapped gifts, or hanging on to flotillas of silvery balloons printed with IT'S A GIRL! and trailing spirals of pink ribbon. A man gripped the wicker handle of a wheeled and skirted bassinet as if he planned to roll it onto the plane, and a woman stood ready with a stroller so chrome-trimmed and bristling with levers that it seemed capable of entering the Indy 500. At least half a dozen people held video cameras, and many more had regular cameras slung around their necks. A woman spoke into a tape recorder in an urgent, secretive way. The man next to her clasped an infant's velour-upholstered car seat close to his chest. MOM, the button on the woman's shoulder read--one of those man's read DAD. A nice-looking couple, not as young as you might expect--the woman in wide black pants and an arty black-and-white top of a geometric design, her short hair streaked with gray; the man a big, beaming, jovial type with a stubbly blond buzz cut, his bald knees poking bashfully from voluminous khaki Bermudas. And not only were there MOM and DAD; there were GRANDMA and GRANDPA, twice over--two complete sets. One grandma was a rumpled, comfortable woman in a denim sundress and bandanna-print baseball cap; the other was thin and gilded and expertly made up, wearing an ecru linen pantsuit and dyed-to-match pumps. The grandpas were dyed to match as well--the rumpled woman's husband equally rumpled, his iron-gray curls overdue for a cutting, while the gilded woman's husband wore linen trousers and some sort of gauzy tropical shirt, and part of his bright yellow hair was possibly not his own. It's true there were other people waiting, people clearly not included in the celebration. A weary-eyed woman in curlers; an older woman with a younger one who might have been her daughter; a father with two small children already dressed in pajamas. These outsiders stood around the edges, quiet and somehow dimmed, from time to time sneaking glances in the direction of MOM and DAD. The plane was late. People grew restless. A child pointed out accusingly that the arrivals board still read ON TIME--a plain old lie. Several teenagers wandered off to the unlit waiting area just across the corridor. A little girl in pigtails fell asleep on a vinyl chair, the button on her green plaid blouse proclaiming COUSIN. Then something changed. There wasn't any announcement--the PA system had been silent for some time--but people gradually stopped talking and pressed toward the jetway, craning their necks, standing on tiptoe. A woman in a uniform punched in a code and swung open the jetway door. A skycap arrived with a wheelchair. The teenagers reappeared. MOM and DAD, till now in the very center of the crowd, were nudged forward with encouraging pats, a path magically widening to let them approach the door. First off was a very tall young man in jeans, wearing the confused look of someone who'd been flying too long. He spotted the mother and daughter and went over to them and bent to kiss the daughter, but only on the cheek because she was too busy peering past him, just briefly returning his hug while she kept her eyes on the new arrivals. Two businessmen with briefcases, striding purposefully toward the terminal. A teenage boy with a backpack so huge that he resembled an ant with an oversized breadcrumb. Another businessman. Another teenage boy, this one claimed by the woman in curlers. A smiling, rosy-cheeked redhead instantly engulfed by the two children in pajamas. Now a pause. A sort of gathering of focus. A crisply dressed Asian woman stepped through the door with a baby. This baby was perhaps five or six months old--able to hold herself confidently upright. She had a cushiony face and a head of amazingly thick black hair, cut straight across her forehead and straight across the tops of her ears, and she wore a footed pink sleeper. "Ah!" everyone breathed--even the outsiders, even the mother and the grown daughter. (Although the daughter's young man still appeared confused.) The mother-to-be stretched out both arms, letting her tape recorder bounce at the end of its strap. But the Asian woman stopped short in an authoritative manner that warded off any approach. She drew herself up and said, "Donaldson?" "Donaldson. That's us," the father-to-be said. His voice was shaking. He had somehow got rid of the car seat, passed it blindly to someone or other, but he stayed slightly to the rear of his wife and kept one hand on her back as if in need of support. "Congratulations," the Asian woman said. "This is Jin-Ho." She transferred the baby to the mother's waiting arms, and then she unhitched a pink diaper bag from her shoulder and handed it to the father. The mother buried her face in the crook of the baby's neck. The baby stayed upright, gazing calmly out at the crowd. "Ah," people kept saying, and "Isn't she a cutie!" and "Did you ever see such a doll?" Flashbulbs, insistent video cameras, everyone pressing too close. The father's eyes were wet. Lots of people's were; there were sniffing sounds all through the waiting area and noses being blown. And when the mother raised her face, finally, her cheeks were sheeted with tears. "Here," she told the father. "You hold her." "Aw, no, I'm scared I might . . . You do it, honey. I'll watch." The Asian woman started riffling through a sheaf of papers. People still disembarking had to step around her, step around the little family and the well-wishers and the tangle of baby equipment. Luckily, the flight hadn't been a full one. The passengers arrived in spurts: man with a cane, pause; retired couple, pause . . . And then another Asian woman, younger than the first and plainer, with a tucked, apologetic way of looking about. She was lugging a bucket-shaped infant carrier by the handle, and you could tell that the baby inside must not weigh all that much. This baby, too, was a girl, if you could judge by the pink T-shirt, but she was smaller than the first one, sallow and pinched, with fragile wisps of black hair trailing down her forehead. Like the young woman transporting her, she showed a sort of anxious interest in the crowd. Her watchful black eyes moved too quickly from face to face. The young woman said something that sounded like "Yaz-dun?" "Yaz-dan," a woman called from the rear. It sounded like a correction. The crowd parted again, not certain which way to move but eager to be of help, and three people no one had noticed before approached in single file: a youngish couple, foreign-looking, olive-skinned and attractive, followed by a slim older woman with a chignon of sleek black hair knotted low on the nape of her neck. It must have been she who had called out their name, because now she called it again in the same clear, carrying voice. "Here we are. Yazdan." There was just the trace of an accent evident in the ruffled r's. The young woman turned to face them, holding the carrier awkwardly in front of her. "Congratulations, this is Sooki," she said, but so softly and so breathlessly that people had to ask each other, "What?" "Who did she say?" "Sooki, I believe it was." "Sooki! Isn't that sweet!" There was a problem unfastening the straps that held the baby in her carrier. The new parents had to do it because the Asian woman's hands were full, and the parents were flustered and unskilled--the mother laughing slightly and tossing back her explosive waterfall of hennaed curls, the father biting his lip and looking vexed with himself. He wore tiny, very clean rimless glasses that glittered as he angled first this way and then that, struggling with a plastic clasp. The grandmother, if that was who she was, made sympathetic tsk-tsking sounds. But at last the baby was free. Such a little bit of a thing! The father plucked her out in a gingerly, arm's-length manner and handed her to the mother, who gathered her in and rocked her and pressed her cheek against the top of the baby's feathery black head. The baby quirked her eyebrows but offered no resistance. Onlookers were blowing their noses again, and the father had to take off his glasses and wipe the lenses, but the mother and the grandmother stayed dry-eyed, smiling and softly murmuring. They paid no attention to the crowd. When someone asked, "Is yours from Korea too?" neither woman answered, and it was the father, finally, who said, "Hmm? Oh. Yes, she is." "Hear that, Bitsy and Brad? Here's another Korean baby!" The first mother glanced around--she was allowing the two grandmas a closer inspection--and said, "Really?" Her husband echoed her: "Really!" He stepped over to the other parents and held out his hand. "Brad Donaldson. That's my wife, Bitsy, over there." "How do you do," the second father said. "Sami Yazdan." He shook Brad's hand, but his lack of interest was almost comical; he couldn't keep his eyes off his baby. "Uh, my wife, Ziba," he added after a moment. "My mother, Maryam." He had a normal Baltimore accent, although he pronounced the two women's names as no American would have--Zee-bah and Mar-yam. His wife didn't even look up. She was cradling the baby and saying what sounded like "Soo-soo-soo." Brad Donaldson flapped a hand genially in her direction and returned to his own family. By the time the transfers had been made official--both Asian women proving to be sticklers for detail--the Donaldson crowd had started to thin. Evidently some sort of gathering was planned for later, though, because people kept calling, "See you back at the house!" as they moved toward the terminal. And then the parents themselves were free to go, Bitsy leading the way while the woman with the stroller wheeled it just behind her like a lady-in-waiting. (Clearly nothing would persuade Bitsy to give up her hold on that baby.) Brad lumbered after her, followed by a few stragglers and, at the very tail end, the Yazdans. One of the Donaldson grandpas, the rumpled one, dropped back to ask the Yazdans, "So. Did you have a long wait for your baby? Lots of paperwork and cross-examinations?" "Yes," Sami said, "a very long wait. A very long-drawn-out process." And he glanced toward his wife. "At times we thought it never would happen," he said. The grandpa clucked and said, "Don't I know it! Lord, what Bitsy and Brad had to put themselves through!" They passed to one side of Security, which was staffed by a lone employee sitting on a stool, and started down the escalator--all but the man with the bassinet. He had to take the elevator. The woman with the stroller, however, seemed undaunted. She tipped the front end of the stroller back smartly and stepped on without hesitation. "Listen," Brad called up to the Yazdans from the lower level. "You-all feel like coming to our house? Joining the celebration?" But Sami was absorbed in guiding his wife onto the escalator, and when he didn't answer, Brad flapped a hand again in that oh-well, affable way of his. "Maybe another time," he said to no one in particular. And he turned to catch up with the others. The exit doors slid open and the Donaldsons streamed out. They headed toward the parking garage in twos and threes and fours, and shortly after that the Yazdans emerged to stand on the curb a moment, motionless, as if they needed time to adjust to the hot, humid, dimly lit, gasoline-smelling night. Friday, August 15, 1997. The night the girls arrived. 2 Sometimes when Maryam Yazdan looked at her new little granddaughter she had an eerie, lightheaded feeling, as if she had stepped into some sort of alternate universe. Everything about the child was impossibly perfect. Her skin was a flawless ivory, and her hair was almost too soft to register on Maryam's fingertips. Her eyes were the shape of watermelon seeds, very black and cut very precisely into her small, solemn face. She weighed so little that Maryam often lifted her too high by mistake when she picked her up. And her hands! Tiny hands, with curling fingers. The wrinkles on her knuckles were halvah-colored (so amusing, that a baby had wrinkles!), and her nails were no bigger than dots. Susan, they called her. They chose a name that resembled the name she had come with, Sooki, and also it was a comfortable sound for Iranians to pronounce. "Su-san!" Maryam would sing when she went in to get her from her nap. "Su-Su-Su!" Susan would gaze out from behind the bars of her crib, sitting beautifully erect with one hand cupping each knee in a poised and self-possessed manner. Maryam took care of her Tuesdays and Thursdays--the days her daughter-in-law worked and Maryam did not. She arrived at the house around eight-thirty, slightly later if the traffic was bad. (Sami and Ziba lived out in Hunt Valley, as much as a half-hour drive from the city during rush hour.) By that time Susan would be having breakfast in her high chair. She would light up and make a welcoming sound when Maryam walked into the kitchen. "Ah!" was what she most often said--nothing to do with "Mari-june," which was what they had decided she should call Maryam. "Ah!" she would say, and she would give her distinctive smile, with her lips pursed together demurely, and tilt her cheek for a kiss. Well, not in the first few weeks, of course. Oh, those first weeks had been agony, the two parents trying their best, shrilling "Susie-june!" and shaking toys in her face and waltzing her about in their arms. All she did was stare at them, or--worse yet--stare away from them, twisting to get free, fixing her eyes stubbornly anywhere else. She wouldn't take more than a sip or two from her bottle, and when she woke crying in the night, as she did every few hours, her parents' attempts to comfort her only made her cry harder.

Bookclub Guide

1. In calling their baby Susan, the Yazdans "chose a name that resembled the name she had come with, Sooki, and also it was a comfortable sound for Iranians to pronounce." The Donaldsons keep their baby’s Korean name, Jin-Ho. What is the significance of these choices, both within the context of the novel and in the context of adoption in general? Is it important for an adoptive family to give children from another country or ethnic group a sense of their heritage? What insights does Ziba and Bitsy’s fractious disagreement about "Americanization" offer into this question?2. Right from the start, Maryam feels a deep connection with Susan — "something around the eyes, some way of looking at things, some onlooker’s look: that was what they shared. Neither one of them quite belonged." Does Maryam’s pleasure in bonding with Susan hint at needs or emotions that she is unable or unwilling to acknowledge? To what extent does her insistence that she is "Still and forever a guest, on her very best behavior" serve as a convenient excuse for remaining aloof from other people?3. What aspects of her heritage does Maryam value most and why? Why is she so unsettled by her visit to Iran and her reactions to Iranians in the country? Why is she annoyed when her cousin’s American husband sprinkles bits of Farsi into his conversation? Why has she raised Sami to be "more American than the Americans", even as she clings to her otherness?4. Does Maryam’s behavior show that she feels not only estranged from American society but also in some way superior to it? What specific incidents and conversations bring this aspect of her personality to light?5. In addition to being a wonderfully amusing vignette, what is the import of Sami’s "performance piece"? Why does Tyler use humor and mockery to convey a serious point about Americans and how they appear to immigrants? Does the fact that Sami is American-born and-raised make his criticisms more credible (and perhaps more acceptable) than they would be if a newcomer to the country expressed them?6. How does Maryam differ from Ziba’s parents and her cousin Farah, the other Iranian immigrants depicted in the novel? What factors, both practical and psychological, influence the characters’ desire and ability to make a place for themselves in American society? What do these varying portraits show about the process of assimilation? Are there inherent contradictions between accepting the culture of an adopted homeland and retaining one’s ethnic identity?7. Compare and contrast Ziba and Bitsy. How do they differ as women? As mothers? Which woman is more sympathetically drawn? How does Tyler use both negative and positive attributes to bring each woman to life? How do the women’s individual approaches to motherhood influence the way they regard and evaluate each other? Is Ziba overly susceptible to Bitsy’s criticism and suggestions? Does her friendship with Ziba, as well as her frequent encounters with Maryam, affect Bitsy’s beliefs or behavior? Does the relationship between Ziba and Bitsy change over the course of the book?8. How do the portraits of Sami and Brad compare to those of their wives? Are their personalities as richly described? Do they play parallel roles within their families? Is their behavior in relation to their children and wives a reflection of their personalities and the nature of their marriages, or do cultural patterns, expectations, and values also play a part?9. Does the romance between Dave and Maryam unfold in a realistic way? In addition to Dave’s moving reaction to Connie death, what other events or conversations show that he contains a depth and a self-awareness that Maryam and the others seem oblivious to?10. What does Maryam’s description of her courtship and marriage add to our image of her? Why has she chosen to keep the story to herself, not even sharing it with Sami?11. Discuss Maryam’s reaction to Dave’s proposal. What does her conversation with Sami and Ziba reveal about her difficulties in reconciling her prejudices about Americans and her affection for Dave? In what ways do her protests also bring to light her ambivalent feelings about who she is and what she is willing to give up at this stage of her life? Why do you think Maryam makes the decision she does at the end of the book?12. To what extent does Digging to America echo the themes and concerns Tyler explored in her previous novels? Do Tyler’s views on marriage and family here differ in significant ways from those presented in her earlier works? How does Digging to America compare to other books you have read that portray women trying to establish an identity apart from what is expected — or demanded — of them?

Editorial Reviews

“The appearance of a new novel by Anne Tyler is like the arrival of an old friend . . . With her 17th novel, Tyler has delivered something startlingly fresh while retaining everything we love about her work . . . Her success at portraying culture clash and the complex longings and resentments of those new to America confirms what we knew, or should have known, all along: There’s nothing small about Tyler’s world, nothing precious about her attention to the hopes and fears of ordinary people.”–Ron Charles, Washington Post Book World“Ms. Tyler deserves her reputation as a master of the fine threads of human relationships. The barely registered slights, fleeting intuitions and shivers of pity that pass between these characters are a pleasure to behold.” –Tara Gallagher, The Wall Street Journal“Anne Tyler has written 17 novels and you only wish for more. Her newest, Digging to America, is wonderfully wry, yet intimately involving. There’s a definite sense of loss when it’s over and done.” –Sheryl Connelly, New York Daily News “Tyler encompasses the collision of cultures without losing her sharp focus on the daily dramas of modern family life in her 17th novel . . . [A] touching, humorous story.”–Publishers Weekly“Tyler creates many blissful moments of high emotion and keen humor while broaching hard truths about cultural differences, communication breakdowns, and family configurations. This deeply human tale of valiantly improvised lives is one of Tyler’s best.”–Donna Seaman, Booklist (starred review)“The veteran novelist extends her range without losing her essence in this tale of two families drawn together by their adopted daughters despite the friction created by their very different personalities and ethnicities . . . The ensuing culture clash enriches Tyler’s narrative without diminishing her skills as an engaging storyteller and delicate analyst of personality . . . Readers will hope that these flawed, lovable people will find happiness, but they won’t be sure until the final page, so deftly has the author balanced the forces that keep us apart against those that bring us together. Vintage Tyler, with enough fresh, new touches to earn her the next generation of fans.”–Kirkus Reviews“The author’s 17th novel exemplifies her skill at depicting seemingly quiet and unremarkable lives with sympathy and humor . . . A touching, well-crafted tale of friendship, families, and what it means to be an American.” –Library Journal (starred review)