Drawing on Art: Duchamp and Company by Dalia JudovitzDrawing on Art: Duchamp and Company by Dalia Judovitz

Drawing on Art: Duchamp and Company

byDalia Judovitz

Paperback | February 12, 2010

Pricing and Purchase Info

$31.41 online 
$32.50 list price
Earn 157 plum® points
Quantity:

Ships within 3-5 weeks

Ships free on orders over $25

Not available in stores

about

Marcel Duchamp’s 1919 readymade, L.H.O.O.Q., which he created by drawing a moustache and goatee on a commercial reproduction of the Mona Lisa, precipitated a radical reevaluation of the meaning of art, the process of art making, and the role of the artist. In Drawing on Art, Dalia Judovitz explores the central importance of appropriation, collaboration, influence, and play in Duchamp’s work—and in Dada and Surrealist art more broadly—to show how the concept of art itself became the critical fuel and springboard for questioning art’s fundamental premises.
 
Judovitz argues that rather than simply negating art, Duchamp’s readymades and later works, including films and conceptual pieces, demonstrate the impossibility of defining art in the first place. Through his readymades, for instance, Duchamp explicitly critiqued the commodification of art and inaugurated a profound shift from valuing art for its visual appearance to understanding the significance of its mode of public presentation. And if Duchamp literally drew on art, he also did so figuratively, thus raising questions of creativity and artistic influence. Equally destabilizing, Judovitz writes, was Duchamp’s idea that viewers actively participate in the creation of the art they are viewing.
 
In addition to close readings ranging across Duchamp’s oeuvre, even his neglected works on chess, Judovitz provides interpretations of works by other figures who affected Duchamp’s thinking and collaborated with him, notably Francis Picabia, Man Ray, and Salvador Dalí, as well as artists who later appropriated and redeployed these gestures, such as Enrico Baj, Gordon Matta-Clark, and Richard Wilson. As Judovitz makes clear, these associations become paradigmatic of a new, collective way of thinking about artistic production that decisively overturns the myth of artistic genius.
Dalia Judovitz is National Endowment for the Humanities Professor of French at Emory University. She is the author of Unpacking Duchamp: Art in Transit, Subjectivity and Representation in Descartes: The Origins of Modernity, and The Culture of the Body: Genealogies of Modernity.
Loading
Title:Drawing on Art: Duchamp and CompanyFormat:PaperbackDimensions:288 pages, 8.5 × 5.5 × 0.8 inPublished:February 12, 2010Publisher:University of Minnesota PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0816665303

ISBN - 13:9780816665303

Look for similar items by category:

Reviews

Table of Contents

List of Illustrations, Introduction: Drawing on Art and Artists, 1. Critiques of the Ocular: Duchamp and Paris Dada, 2. The Spectacle of Film: Duchamp and Dada Experiments, 3. Endgame Strategies: Art, Chess, and Creativity, 4. Pointing Fingers: Dalí’s Homage to Duchamp, 5. The Apparatus of Spectatorship: Duchamp, Matta-Clark, and Wilson, Concluding Remarks: Mirrorical Returns, Notes, Index