Eccentricity and the Cultural Imagination in Nineteenth-Century Paris by Miranda GillEccentricity and the Cultural Imagination in Nineteenth-Century Paris by Miranda Gill

Eccentricity and the Cultural Imagination in Nineteenth-Century Paris

byMiranda Gill

Hardcover | January 15, 2009

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What did it mean to call someone 'eccentric' in nineteenth-century Paris? And why did breaking with convention arouse such ambivalent responses in middle-class readers, writers, and spectators? From high society to Bohemia and the demi-monde to the madhouse, the scandal of nonconformismprovoked anxiety, disgust, and often secret yearning. In a culture preoccupied by the need for order yet simultaneously drawn to the values of freedom and innovation, eccentricity continually tested the boundaries of bourgeois identity, ultimately becoming inseparable from it. This interdisciplinarystudy charts shifting French perceptions of the anomalous and bizarre from the 1830s to the fin de siecle, focusing on three key issues. First, during the July Monarchy eccentricity was linked to fashion, dandyism, and commodity culture; to many Parisians it epitomized the dangerous seductions ofmodernity and the growing prestige of the courtesan. Second, in the aftermath of the 1848 Revolution eccentricity was associated with the Bohemian artists and performers who inhabited 'the unknown Paris', a zone of social exclusion which middle-class spectators found both fascinating and repugnant.Finally, the popularization of medical theories of national decline in the latter part of the century led to decreasing tolerance for individual difference, and eccentricity was interpreted as a symptom of hidden insanity and deformity. Drawing on a wide range of sources, including etiquettemanuals, fashion magazines, newspapers, novels, and psychiatric treatises, the study highlights the central role of gender in shaping perceptions of eccentricity. It provides new readings of works by major French writers and illuminates both well-known and neglected figures of Parisian modernity,from the courtesan and Bohemian to the female dandy and circus freak.
Miranda Gill was educated at St John's College and Christ Church, Oxford, and was subsequently a research fellow at Pembroke College, Cambridge. Since 2005 she has been a university lecturer in French at the University of Cambridge and a Fellow of Jesus College.
Title:Eccentricity and the Cultural Imagination in Nineteenth-Century ParisFormat:HardcoverDimensions:320 pages, 8.5 × 5.43 × 0 inPublished:January 15, 2009Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0199543283

ISBN - 13:9780199543281

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Table of Contents

IntroductionPart I: Causes and Contexts1. The Rise of EccentricityPart II: Fashionable Society2. Etiquette and the Public Gaze3. Dandies and Lions4. The iDemi-Monde/iPart III:The Underworld5. Saltimbanks and Savages6. BohemiaPart IV: Science7. Monsters8. Madness and MedicineEpilogue: Eccentricity in European PerspectiveBibliography