Edwardian Poetry

Hardcover | April 30, 1999

byKenneth Millard

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The poets writing in the first years of the twentieth century have commonly been discussed in isolation. In Edwardian Poetry Kenneth Millard considers together seven poets, Henry Newbolt, John Masefield, Thomas Hardy, Edward Thomas, A. E. Housman, John Davidson, and Rupert Brooke, and arguesthat their work is worthy of more serious critical attention than it has previously received. Through an analysis of numerous individual poems, Millard isolates certain common concerns: the changing and perhaps fading value of England ; a distrust of the medium of language itself; a distrust alsoof the creative imagination. In its reassessment of these poets, the book provides a literary context for their work, finding in it a kind of pre-War modern British poetry distinct from the Modernism of subsequent decades. In establishing a literary context for the poetry of this century's firstdecade the book offers an important revision of modern literary history and points towards an alternative line in twentieth-century British poetry that culminates in the work of Philip Larkin.

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The poets writing in the first years of the twentieth century have commonly been discussed in isolation. In Edwardian Poetry Kenneth Millard considers together seven poets, Henry Newbolt, John Masefield, Thomas Hardy, Edward Thomas, A. E. Housman, John Davidson, and Rupert Brooke, and arguesthat their work is worthy of more serious cr...

Kenneth Millard is at Merton College, Oxford.

other books by Kenneth Millard

The Minor Prophets
The Minor Prophets

Kobo ebook|Jan 12 2016

$16.99

Format:HardcoverDimensions:208 pages, 8.5 × 5.43 × 0.71 inPublished:April 30, 1999Publisher:Oxford University Press

The following ISBNs are associated with this title:

ISBN - 10:019812225X

ISBN - 13:9780198122258

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`Millard does pay attention to biographical data, and he has a good deal to say about the relationship between a specific set of historical facts and the development of a particular poem. He is also a sensitive reader, and his glosses are convincing ...'Harold Orel, The Thomas Hardy Journal