Ezra Pound, Wyndham Lewis, and Radical Modernism by Vincent SherryEzra Pound, Wyndham Lewis, and Radical Modernism by Vincent Sherry

Ezra Pound, Wyndham Lewis, and Radical Modernism

byVincent Sherry

Hardcover | April 30, 1999

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Ezra Pound and Wyndham Lewis developed a highly experimental art; they were attracted simultaneously to political programs remarkably backward in outlook--the autocracies of Fascist Italy and Germany. That paradox, central to the problematic achievement of Anglo-American modernism, is freshlyaddressed in this study. Here Sherry examines the influence of music and painting on literature, presents original research on European intellectual history, and proposes a new understanding of ideology as a force in the literary imagination. Following the example of continental ideologues, theEnglish modernists use the material of aesthetic experience to prove truths of human nature, making art the basis for social values and recommendations. This sensibility enriches their work, shaping the varied textures of Pound's Cantos and the complex designs of Lewis's painting and fiction, buttheir mastery of avant-garde techniques endorses the authority of an antique state. Sherry returns their "totalitarian synthesis" of art and politics to its originating moment, following its trajectory from 1910 to the eve of World War II.

About The Author

Vincent Sherry is at Villanova University.
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Title:Ezra Pound, Wyndham Lewis, and Radical ModernismFormat:HardcoverDimensions:240 pages, 9.49 × 6.3 × 0.71 inPublished:April 30, 1999Publisher:Oxford University Press

The following ISBNs are associated with this title:

ISBN - 10:0195076931

ISBN - 13:9780195076936

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Ezra Pound and Wyndham Lewis developed a highly experimental art in verse, prose, and paint; they were attracted simultaneously to political programs remarkably backward its outlook - the autocracies of fascist Italy and Nazi Germany. That paradox, central to the problematic achievement of Anglo-American modernism, is freshly addressed in this study. Sherry examines the influence of music and painting on literature, presents original research on European intellectual history, and proposes a new understanding of ideology as a force in the literary imagination. Following the example of continental ideologues like Julien Benda and Georges Sorel, the English modernists used the material of aesthetic experience to prove truths of human nature, making art the basis for social values and recomendations. This sensibility enriches their work, shaping the varied textures of Pound's Cantos and the complex designs of Lewis's painting and fiction, but their mastery of avant-garde techniques endorses the authority of an antique state. Sherry returns their "totalitarian synthesi

Editorial Reviews

"Sherry's sustained attention to ideologie marks an important innovation in contemporary literary study.... This book should have important implications for the future conduct of modernist studies."--Paideuma