592 pages, 8.38 × 5.5 × 1.3 in
October 16, 2012
Simon & Schuster
The following ISBNs are associated with this title:
ISBN - 10: 1439165963
ISBN - 13: 9781439165966
Read from the Book
IntroductionPaul Scanlon When I first met Hunter S. Thompson in 1971, I didn’t know what to expect. I was familiar with his work, of course, and had read the wonderful account of his campaign to become sheriff of Pitkin County (Aspen), Colorado, in the pages of Rolling Stone. He had been in Los Angeles working on a piece about the murder of newspaperman Ruben Salazar. There had been talk—very vague talk—about his writing something about Las Vegas. Then, one fine spring day, he appeared in Rolling Stone’s San Francisco office. For me, and the magazine, nothing would ever be quite the same. If you were a progressively minded college student in the 1960s, certain books were required reading: One Flew Over the Cuckoo’s Nest by Ken Kesey, A Confederate General from Big Sur and Trout Fishing in America by Richard Brautigan, The Kandy-Kolored Tangerine-Flake Streamline Baby and The Electric Kool-Aid Acid Test by Tom Wolfe, and Hell’s Angels by Hunter S. Thompson. As an undergraduate majoring in journalism, I was drawn to the writing of Wolfe and a few others who were practicing what was not yet being called the “New Journalism.” It’s funny, but even at an überliberal school like San Francisco State, there was a schism—what was known in the day as a “generation gap”—between faculty and students over this new kind of writing. Our professors considered Wolfe and his ilk poseurs, inspiring some kind of journalistic vaudeville by applying fictional techniques to reporting. We thought
From the Publisher
From the bestselling author of The Rum Diary and king of “Gonzo” journalism Hunter S. Thompson, comes the definitive collection of the journalist’s finest work from Rolling Stone. Fear and Loathing at Rolling Stone showcases the roller-coaster of a career at the magazine that was his literary home.
“Buy the ticket, take the ride,” was a favorite slogan of Hunter S. Thompson, and it pretty much defined both his work and his life. Jann S. Wenner, the outlaw journalist’s friend and editor for nearly thirty-five years, has assembled articles—and a wealth of never- before-seen correspondence and internal memos from Hunter’s storied tenure at Rolling Stone—that begin with Thompson’s infamous run for sheriff of Aspen on the Freak Party ticket in 1970 and end with his final piece on the Bush-Kerry showdown of 2004. In between is Thompson’s remarkable coverage of the 1972 presidential campaign and plenty of attention paid to Richard Nixon; encounters with Muhammad Ali, Bill Clinton, and the Super Bowl; and a lengthy excerpt from his acknowledged masterpiece, Fear and Loathing in Las Vegas. The definitive volume of Hunter S. Thompson’s work published in the magazine, Fear and Loathing at Rolling Stone traces the evolution of a personal and professional relationship that helped redefine modern American journalism, presenting Thompson through a new prism as he pursued his lifelong obsession: The life and death of the American Dream.
About the Author
Hunter S. Thompson was born on July 18, 1937 in Louisville, Kentucky. At the age of sixteen he was inducted into the Athenaeum Literary Association and wrote for the Athenaeum Journal. During his two years in the US Air Force, Thompson wrote a sports column for The Common Courier. After he was discharged, he moved to New York to work as a copy boy at Time Magazine and later moved to San Juan to write for a Puerto Rican bowling magazine. He also reported to the National Observer from South America. Upon his return to the US, Thompson wrote Hell's Angels: A Strange and Terrible Saga, which became a national bestseller and Fear and Loathing in Las Vegas, which was originally published in Rolling Stone magazine. Thompson wrote for Rolling Stone, Playboy, and Esquire. Both Bill Murray and Johnny Depp portrayed Hunter in feature film movies based on his books, Where the Buffalo Roam and The Rum Diary, respectively. Hunter S. Thompson committed suicide on February 20, 2005 at his home in Colorado.
“A reminder of how . . . in the right hands words are scalpels with which to both surgically excise and slash at the culture.” —Pittsburgh Post-Gazette