Fifty years of modern painting, Corot to Sargent by John Ernest PhythianFifty years of modern painting, Corot to Sargent by John Ernest Phythian

Fifty years of modern painting, Corot to Sargent

byJohn Ernest Phythian

Paperback | February 2, 2012

Pricing and Purchase Info


Earn 145 plum® points

Prices and offers may vary in store

Out of stock online

Not available in stores


This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1908. Excerpt: ... CHAPTER II THE PRE-RAPHAELITE BROTHERHOOD IT has already been said that one of the reasons for beginning at the middle of the nineteenth century the study of painting undertaken in this book is that the Pre-Raphaelite movement arose at that time. The movement was a revolt, though not purposely so at the outset. Perhaps no revolts ever are; revolutionaries begin simply by wanting more of their own way. The powers that be will not let them have it. They insist; and this means that the powers that be have to be opposed. In art the established authorities at any time are the artists who are wedded to a particular style, and the public that has come to think that this style is the only right one. They are the "grave copiers of copies," and the admirers of such copies. The revolutionaries are the artists who, somehow or other, manage to throw aside the spectacles of tradition, look at nature and life with their own eyesight, and then seek to paint what they see. This does not mean that tradition is wholly cast aside, or that the artist becomes a mere machine for recording facts. It means that he is to be free to modify tradition and to interpret nature and life in accordance with his own experience and temperament. Any one who did not know much about art and its history might think that such freedom would readily be granted. The fact is that it is almost invariably bitterly resented and opposed. The battles of the orthodoxies and heresies of art are only less fierce than those of the orthodoxies and heresies of religion. And there is in both spheres the same tendency to go to absurd extremes. The name Pre Raphaelite appears to have been suggested by Madox Brown, who was familiar with the German Pre-Raphaelite movement, having met the leaders of it, Cornelius an...
Title:Fifty years of modern painting, Corot to SargentFormat:PaperbackDimensions:114 pages, 9.69 × 7.44 × 0.24 inPublished:February 2, 2012Publisher:General Books LLCLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0217831982

ISBN - 13:9780217831987