Film and the City: The Urban Imaginary in Canadian Cinema by George MelnykFilm and the City: The Urban Imaginary in Canadian Cinema by George Melnyk

Film and the City: The Urban Imaginary in Canadian Cinema

byGeorge Melnyk

Paperback | April 1, 2014

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Most Canadians are city dwellers, a fact often unacknowledged by twentieth-century Canadian films, with their preference for themes of wilderness survival or rural life. Modernist Canadian films tend to support what film scholar Jim Leach calls "the nationalist-realist project," a documentary style that emphasizes the exoticism and mythos of the land. Over the past several decades, however, the hegemony of Anglo-centrism has been challenged by francophone and First Nations perspectives and the character of cities altered by a continued influx of immigrants and the development of cities as economic and technological centers. Examining fourteen Canadian films produced from 1989 to 2007, Film and the City is the first comprehensive study of Canadian film and "urbanity"?he totality of urban culture and life. Melnyk considers how filmmakers, films, and urban audiences experience, represent, and interpret urban spatiality, visuality, and orality. In this way, Film and the City argues that Canadian narrative film of the postmodern period has aided in articulating a new national identity.
George Melnyk is associate professor in the Department of Communication and Culture at the University of Calgary. He has published a number of books on Canadian cinema, including One Hundred Years of Canadian Cinema (2004), Great Canadian Film Directors (2007), The Young, the Restless, and the Dead: Interviews with Canadian Filmmakers ...
Title:Film and the City: The Urban Imaginary in Canadian CinemaFormat:PaperbackDimensions:250 pages, 9.08 × 6.13 × 0.78 inPublished:April 1, 2014Publisher:University Of Washington PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:1927356598

ISBN - 13:9781927356593

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Editorial Reviews

Film and the City puts forth a new paradigm for the consideration of Canadian identity in cinema. Contending that earlier models were dependent on a largely rural representation of the nation. Melnyk shows how recent urban films facilitate and showcase a new mode of identity formation and articulation ... Through examining specific films and filmmakers with an eye to their locality, and by folding them into a composite constellation that illustrates new ideas of Canadian identity, this text will surely provide a new marker for discussions of this evergreen topic.?William Beard, University of Alberta