First Words: On Dostoevsky's Introductions by Lewis BagbyFirst Words: On Dostoevsky's Introductions by Lewis Bagby

First Words: On Dostoevsky's Introductions

byLewis Bagby

Hardcover | December 22, 2015

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Dostoevsky attached introductions to his most challenging narratives, including Notes from the House of the Dead, Notes from Underground, The Devils, The Brothers Karamazov, and "A Gentle Creature." Despite his clever attempts to call his readers' attention to these introductions, they have been neglected as an object of study for over 150 years. That oversight is rectified in First Words, the first systematic study of Dostoevsky's introductions. Using Genette's typology of prefaces and Bakhtin's notion of multiple voices, Lewis Bagby reveals just how important Dostoevsky's first words are to his fiction. Dostoevsky's ruses, verbal winks, and backward glances indicate a lively and imaginative author at earnest play in the field of literary discourse.
Lewis Bagby, Professor Emeritus of Russian, University of Wyoming, is the author of Alexander Bestuzhev-Marlinsky and Russian Byronism and editor of A Hero of Our Times: Critical Articles. He has published widely on Russian Romanticism, Tolstoy, Dostoevsky and Bakhtin.
Title:First Words: On Dostoevsky's IntroductionsFormat:HardcoverDimensions:222 pages, 9.37 × 6.26 × 0.22 inPublished:December 22, 2015Publisher:Academic Studies PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:1618114824

ISBN - 13:9781618114822


Table of Contents

Note on Transliteration



Chapter 1: Model Prefaces from Russian Literature

Chapter 2: Dostoevsky's Initial Post-Siberian Work

Chapter 3: Playing with Authorial Identities

Chapter 4: Monsters Roam the Text

Chapter 5: Re-Contextualizing Introductions

Chapter 6: Anxious to the End




Editorial Reviews

A uniquely refreshing study of Dostoevsky's complex and little understood introductions, Lewis Bagby's First Words: On Dostoevsky's Introductions, is a groundbreaking new work. Through a close reading and utilizing Genette's typology, Bagby provides insights into narratology and authorial voice and discovers that Dostoevsky's fictional introductory commentaries create frames essential in understanding the multifacetedness of his novelistic characters and plots. A required reading for literary scholars which can be of a significant interest to all readers of Dostoevsky's fiction.