400 pages, 8.25 × 5.31 × 1.1 in
January 7, 2014
The following ISBNs are associated with this title:
ISBN - 10: 1476775850
ISBN - 13: 9781476775852
Read from the Book
PrologueIt is so appropriate to color hope yellow, like that sun we seldom saw. And as I begin to copy from the old memorandum journals that I kept for so long, a title comes as if inspired. Open the Window and Stand in the Sunshine. Yet, I hesitate to name our story that for I think of us more as flowers in the attic. Paper flowers. Born so brightly colored, and fading duller through all those long, grim, dreary, nightmarish days when we were held prisoners of hope, and kept captives by greed. But, we were never to color even one of our paper blossoms yellow.Charles Dickens would often start his novels with the birth of the protagonist and, being a favorite author of both mine and Chris's, I would duplicate his style -- if I could. But he was a genius born to write without difficulty while I find every word I put down, I put down with tears, with bitter blood, with sour gall, well mixed and blended with shame and guilt. I thought I would never feel ashamed or guilty, that these were burdens for others to bear. Years have passed and I am older and wiser now, accepting, too. The tempest of rage that once stormed within me has simmered down so I can write, I hope, with truth and with less hatred and prejudice than would have been the case a few years ago.So, like Charles Dickens, in this work of "fiction" I will hide myself away behind a false name, and live in fake places, and I will pray to God that those who should will hurt when they read what I have to say. Certainly God i
From the Publisher
Now a major Lifetime movie event—the classic story of forbidden love that captured the world’s imagination and earned V.C. Andrews a fiercely devoted fanbase. Book One of the Dollanganger family saga.
At the top of the stairs there are four secrets hidden. Blond, beautiful, innocent, and struggling to stay alive . . .
They were a perfect family, golden and carefree—until a heartbreaking tragedy shattered their happiness. Now, for the sake of an inheritance that will ensure their future, the children must be hidden away out of sight, as if they never existed. Kept on the top floor of their grandmother’s vast mansion, their loving mother assures them it will be just for a little while. But as brutal days swell into agonizing months and years, Cathy, Chris, and twins Cory and Carrie, realize their survival is at the mercy of their cruel and superstitious grandmother . . . and this cramped and helpless world may be the only one they ever know.
Book One of the Dollanganger series, the sequels include Petals in the Wind, If There Be Thorns, Seeds of Yesterday, and Garden of Shadows. Then experience the attic from Christopher’s point of view in Christopher’s Diary: Secrets of Foxworth and Christopher’s Diary: Echoes of Dollanganger.
About the Author
Born on June 6, 1924 in Portsmouth, Va., Virginia Cleo Andrews was one of three children of William Henry and Lillian Lilnora. Her father was a career Navy man who later opened a tool-and-die business and her mother was a telephone operator. As a child, Andrews read voraciously and also excelled in art. At the age of fifteen, she won a scholarship for a literary parody she had written. Commenting on her love of reading, she once said "When I was seven, [my father] took me to the public library and signed me up for my first library card. He went home with two books... I went home with nine." Andrews worked as a commercial fashion and portrait artist for a time. However, after her father's death in the late 1960s and the family's subsequent move to Manchester, Mo, she began what she described as "closet" writing. It was her publisher's decision to use her initials (V.C.) rather than her full name. This was done for the purpose of neutralizing her gender so as to sell to adult male audiences; the common belief was that men did not like to read books by women writers. Andrews eventually became a full-time writer. Her first novel was a science fiction fantasy entitled The Gods of the Green Mountains, published in 1972. In 1980, she published the bestseller Flowers in the Attic, followed by Petals on the Wind, If There Be Thorns, Seeds of Yesterday, My Sweet Audrina, Heaven, and Dark Angel. V.C. Andrews died in December, 1986 at the age of 62. She left a legacy of books that have b
"At age 13, I survived almost entirely on green apple Jolly Ranchers and Flowers in the Attic, and to this day I can't look at the book without my mouth watering. My much loved copy must have come from a supermarket (it was impossible to go to a supermarket in the '80s to, say, secretly stock up on green apple Jolly Ranchers, without a V.C. Andrews book lurking by checkout)... I loved that book. The narrator, Cathy, who ages from 12 to 15 over the course of the story, is part princess (she is locked in a tower; she is beset by cruel foes; she has long, perfect hair until the grandmother tars it one night), and part witch (she's tantrum-prone, pessimistic, cynical). Basically, I adored her because she is like all girls around the age of 13: at turns sulky, giving, selfish, charming, nasty and heroic. Flowers in the Attic is most famous for the fact that Cathy and her brother fall in love. It's a weird, strangely old-fashioned love story (and is Chris ever the stuff of teenage dreams: handsome, brilliant, extravagantly chivalrous), but it's not what hooked me. What kept me circling around to the beginning was that hyper-Gothic female evil. The emotionally cold, physically abusive grandmother. The cloying, manipulative, mind-warping mother. It felt so new and stunning to me — these witches who seemed quite real. I devoured the sequels less to learn about Cathy's tragic love story than to see what kind of woman Cathy became — princess, witch, a bit of both? — and what she'