Gathering of the Tribe: Music and Heavy Conscious Creation by Mark GoodallGathering of the Tribe: Music and Heavy Conscious Creation by Mark Goodall

Gathering of the Tribe: Music and Heavy Conscious Creation

byMark Goodall

Paperback | March 15, 2013

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From Mozart to Miles Davis, it is a matter of record that over many centuries composers and musicians have been consistently inspired by the occult. Few music lovers' curiosity can fail to have been piqued by the rumours of magick and mysticism that surround many of their favourite records, and Mark Goodall's Gathering of the Tribe: Music and Heavy Conscious Creation is a title capable of satisfying almost everyone. In chapters that range from 'Jazz and the Spirit World' to 'Rock Music and the Occult', Goodall sketches a fascinating overview of this intriguing and enduring relationship, offering en route a guide to the ultimate occult record collection, looking into some of the most brilliantly nefarious recordings and compositions of all time, ranging from the Beatles to the Stones, Led Zeppelin to Nick Cave, Captain Beefheart to the Wu Tang Clan, Debussy to Sun Ra, Throbbing Gristle, Charles Manson and many more. With further contributions from - among others - Mick Farren, David Kerekes and Mark Reeve, Gathering of the Tribe is looking like a definitive work on a hypnotising topic.
Title:Gathering of the Tribe: Music and Heavy Conscious CreationFormat:PaperbackDimensions:480 pages, 9 × 6 × 1 inPublished:March 15, 2013Publisher:HeadpressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:1900486857

ISBN - 13:9781900486859

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Read from the Book

Trout Mask Replica was recorded in March 1969, mostly at Whitney Studios, Los Angeles, and was released in the following June. The album was produced by Van Vliet's old friend Frank Zappa (the two had been to Antelope Valley High School together in the late 1950s), and was released on Zappa's Straight Records label. Van Vliet claims to have written all of Trout Mask Replica's twenty-eight tracks in eight hours, but this is contested by some of the band members. The whole album's backing tracks were recorded in one six-hour session, but the rehearsals required to reach the finished article had taken much longer. Beefheart then spent the next few days overdubbing vocal parts. The whole band had spent the previous year rehearsing the album's songs, while living in a house in the San Fernando Valley. Rumours abound regarding Van Vliet's treatment of the band's members during this period, with accusations that call to mind the softer end of the Manson Family's reputation. The band lived on very little money, and Beefheart is rumoured to have put all the band members through some harrowing experiences - there are stories of routine humiliation, escape attempts, and physical violence.The Magic Band was very much made in its leader's image; as if to cleanse them of their individual pasts and previous influences, each member was given a new name by Van Vliet - Zoot Horn Rollo (Bill Harkleroad - glass finger guitar, flute), Antennae Jimmy Semens (Jeff Cotton - steel-appendage guitar), The Mascara Snake (Victor Hayden - bass clarinet and vocal), Rockette Morton (Mark Boston - bass and narration), and Drumbo (John French - drums).Zappa's production on the album is unobtrusive - he doesn't add any effects in the mix, leaving the band's 'natural' sound intact (although there are some occasional tape loops and several control-room/studio interjections are preserved in the finished record. Zappa said of Beefheart that it was: "impossible to tell him why things should be such and such a way. It seemed to me that if he was going to create a unique object, that the best thing for me to do was to keep my mouth shut as much as possible and just let him do whatever he wanted to do whether I thought it was wrong or not."