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" The Story of Art , one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines…read more

Andrew Wyeth: Autobiography

by Thomas Hoving|

October 7, 1998

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This lavish volume reproduces 138 tempera, drybrush & watercolor paintings & pencil studies by Andrew Wyeth. The most comprehensive retrospective of the artist's work ever produces.read more

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Celebrations of city streets; tranquil vistas of the countryside and seashore; enchanting images of the leisured classes in domestic interiors or at fashionable Parisian cafes -- the work of the Impressionists gives pleasure to art lovers everywhere. But while Impressionism today may appear…read more

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Amid the background of social turbulence in the mid-nineteenth century, Courbet's unconventional paintings of real people in everyday scenes came to embody values with radical political implications. James Rubin addresses the entire range of Courbet's work -- his hunting scenes, spirited…read more

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Working from the surviving material presented here with the help of superlative photographs, many specially taken for this book, John Lowden explains how and why Early Christian & Byzantine art was made and used. This is an accessible and authoritative book that will inspire anyone who is curious…read more

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In celebration of its 25th anniversary, the bestselling classic is introduced to a new generation-with an added preface by Warhol's diarist and long-time friend, Pat Hackett, contemplating Warhol's lasting cultural impact. This international literary sensation turns the spotlight on one of the…read more

Conceptual Art

by Tony Godfrey|

November 6, 1998

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What is art? Must it be a unique, saleable luxury item? Can it be a concept that never takes material form? Or an idea for a work that can be repeated endlessly? Conceptual art favours an engagement with such questions. As the variety of illustrations in this book shows, it can take many forms:…read more

Monet A&i

by Carla Rachman|

September 12, 1997

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The books in the Art and Ideas series, which will cover everything from Fra Angelico to Frida Kahlo, are supremely pleasurable to read. Written by scholarly experts who know how turn a phrase and focus a gaze, the books are filled with hundreds of crisp, color reproductions that give purely visual…read more

Michelangelo A&I

by ANTHONY HUGHES|

September 12, 1997

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The books in the Art and Ideas series, which will cover everything from Fra Angelico to Frida Kahlo, are supremely pleasurable to read. In this volume, for example, Anthony Hughes writes dryly of a Michelangelo sculpture of Christ, which was tinkered with and damaged during installation in March…read more

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One of the best-loved artists of the twentieth century, Marc Chagall (1887-1985) is paradoxically one of the least understood. Although his colourful images of flying cows and floating lovers may seem naive, and he promoted a view of himself as an intuitive genius, he was in fact a complex and…read more

Cubism A&i

by Neil Cox|

October 30, 2000

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Cubism remains perhaps the single most important development in the history of twentieth-century art. It was the creation of just two artists, Georges Braque, a Frenchman, and Pablo Picasso, a Spaniard, between the years 1907 and 1914. Working alongside each other in Paris, then the artistic…read more

Berthe Morisot

by Kathleen Adler|

September 21, 1995

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The French nineteenth-century woman painter Berthe Morisot was held by her contemporaries to be the 'quintessential Impressionist'. She was an influential member of the Impressionist group, whose exhibitions she organized with her colleagues Monet, Renoir, Pissarro and Degas. This book considers…read more