128 pages, 7.97 × 5.13 × 0.33 in
August 12, 1999
The following ISBNs are associated with this title:
ISBN - 10: 0811214044
ISBN - 13: 9780811214049
About the Book
Dramatic script relating the interactions of Amanda, her son, and her daughter, Laura and the very important gentleman caller.
From the Publisher
Menagerie was Williams's first popular success and launched the brilliant, if somewhat controversial, career of our pre-eminent lyric playwright. Since its premiere in Chicago in 1944, with the legendary Laurette Taylor in the role of Amanda, the play has been the bravura piece for great actresses from Jessica Tandy to Joanne Woodward, and is studied and performed in classrooms and theatres around the world. The Glass Menagerie (in the reading text the author preferred) is now available only in its New Directions Paperbook edition. A new introduction by prominent Williams scholar Robert Bray, editor of The Tennessee Williams Annual Review, reappraises the play more than half a century after it won the New York Drama Critics Circle Award: "More than fifty years after telling his story of a family whose lives form a triangle of quiet desperation, Williams's mellifluous voice still resonates deeply and universally." This edition of The Glass Menagerie also includes Williams's essay on the impact of sudden fame on a struggling writer, "The Catastrophe of Success," as well as a short section of Williams's own "Production Notes." The cover features the classic line drawing by Alvin Lustig, originally done for the 1949 New Directions edition.
About the Author
Robert Bray is an author, editor, and Tennessee Williams scholar.
From Our Editors
Played out on the stage time and time again, Tennessee Williams’ The Glass Menagerie is a timeless classic. Tom experiences suffocation by his mother and his responsibility for his shy reclusive sister. In this moving memory play, he tries to break free and become a writer. Containing a new introduction by Robert Bray, the script appears in the authors’ preferred text.
“The revolutionary newness of . . . was in its poetic lift, but an underlying hard dramatic structure was what earned the play its right to sing poetically.” — Arthur Miller
“With the advent of . . . Tennessee Williams emerged as a poet-playwright and a unique new force in theatre throughout the world.” — Lyle Leverich in Tom: The Unknown Tennessee Wil