God, Gulliver, and Genocide: Barbarism and the European Imagination, 1492-1945 by Claude RawsonGod, Gulliver, and Genocide: Barbarism and the European Imagination, 1492-1945 by Claude Rawson

God, Gulliver, and Genocide: Barbarism and the European Imagination, 1492-1945

byClaude Rawson

Hardcover | May 1, 2001

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We are obsessed with 'barbarians'. They are the 'not us', who don't speak our language, or 'any language', whom we depise, fear, invade and kill; for whom we feel compassion, or admiration, and an intense sexual interest; whose innocence or vigour we aspire to, and who have an extraordinaryinfluence on the comportment, and even modes of dress, of our civilised metropolitan lives; whom we often outdo in the barbarism we impute to them; and whose suspected resemblance to us haunts our introspections and imaginings. They come in two overlapping categories, ethnic others and home-grownpariahs: conquered infidels and savages, the Irish, the poor, the Jews. This book looks afresh at how we have confronted the idea of 'barbarism', in ourselves and others, from 1492 to 1945, through the voices of many writers, chiefly Montaigne, Swift and, to a lesser extent, Shaw.
Claude Rawson is Maynard Mack professor of English, Yale University. His works include Henry Fielding and the Augustan Ideal Under Stress; Gulliver and the Gentle Reader: Studies in Swift and Our Time; Order from Confusion Sprung: Studies in Eighteenth-Century Literature from Swift to Cowper; The Collected Poems of Thomas Parnell, wit...
Title:God, Gulliver, and Genocide: Barbarism and the European Imagination, 1492-1945Format:HardcoverDimensions:420 pages, 8.5 × 5.43 × 1.02 inPublished:May 1, 2001Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0198184255

ISBN - 13:9780198184256


Table of Contents

Texts and Editions UsedAcknowledgementsIntroduction1. Indians and Irish2. The Savage with Hanging Breasts: Gulliver, Female Yahoos, and 'Racism'3. Killing the Poor: An Anglo-Irish Theme?4. God, Gulliver, and GenocideEndnotesList of Works CitedIndex

Editorial Reviews

`[Rawson's] important new book ... might at first blush seem to have certain similarity to ... fashionable criticisms of Western values and actions, but it could not be more different from them in its freedom from ideological agendas, its refusal to cook the evidence, its ability to see moralnuance, and its steady sense of the complexity of historical causation. Rawson has long been one of our most illuminating authorities on eighteenth-century English satire and on Swift in particular; but in his new book he casts a much wider net, exhibiting the same meticulous erudition in histreatment of Montaigne and Wilde and Shaw as he does in his discussion of the English Augustan writers.'The New Republic