Gunnar Asplunds Gothenburg: The Transformation of Public Architecture in Interwar Europe by Nicholas Adams

Gunnar Asplunds Gothenburg: The Transformation of Public Architecture in Interwar Europe

byNicholas Adams

Hardcover | October 8, 2014

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In the west coast port city of Gothenburg, Sweden, the architect Gunnar Asplund built a modest extension to an old courthouse on the main square (1934–36). Judged today to be one of the finest works of modern architecture, the courthouse extension was immediately the object of a negative newspaper campaign led by one of the most noted editors of the day, Torgny Segerstedt. Famous for his determined opposition to National Socialism, he also took a principled stand against the undermining of urban tradition in Gothenburg. Gothenburg’s problems with modern public architecture, though clamorous and publicized throughout Sweden, were by no means unique. In Gunnar Asplund’s Gothenburg, Nicholas Adams places Asplund’s building in the wider context of public architecture between the wars, setting the originality and sensitivity of Asplund’s conception against the political and architectural struggles of the 1930s. Today, looking at the building in the broadest of contexts, we can appreciate the richness of this exquisite work of architecture. This book recaptures the complex magic of its creation and the fascinating controversy of its completed form.

About The Author

Nicholas Adams is Mary Conover Mellon Professor in the History of Architecture at Vassar College. Nicholas Adams is Mary Conover Mellon Professor in the History of Architecture at Vassar College.
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Details & Specs

Title:Gunnar Asplunds Gothenburg: The Transformation of Public Architecture in Interwar EuropeFormat:HardcoverDimensions:288 pages, 10.25 × 9.25 × 1.07 inPublished:October 8, 2014Publisher:Penn State University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0271059842

ISBN - 13:9780271059846

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“Nicholas Adams achieves his own feat of construction by placing Asplund’s extension into a broader historiography of mid-twentieth-century modernism and by contextualizing the building’s reception and effect upon the development of attitudes about modernist architecture. That a scholar could write an entire study on one building’s extension, and hold the reader’s interest so intently throughout the process, is its own singular achievement.”—Mark Mussari, Scandinavian Studies