Harold Pinter on International Stages by Tomaz OnicHarold Pinter on International Stages by Tomaz Onic

Harold Pinter on International Stages

EditorTomaz Onic

Hardcover | October 17, 2014

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Harold Pinter is inarguably one of the most influential modern British dramatists. The horizon of his literary, cultural and political activity stretches far beyond the borders of his homeland, as well as beyond the theatrical and literary world. The essays in this volume deal with the reception of his literary (and political) heritage in several European and non-European Countries, offering previously unpublished research. They bring together a variety of aspects focusing on Pinter in the former region of Eastern Europe like Hungary, Poland, Turkey, Croatia, Macedonia and Slovenia, where his literary ideas as well as political activism seem fully applicable. They are balanced by selected Western perspectives, including Italian, British and American ones.
Tomaž Onič is an Assistant Professor of Literature in the Department of English Studies at the University of Maribor (Slovenia). His research interests and teaching experience include contemporary British and American drama in close connection with translation and cultural studies as well as literary stylistics.
Title:Harold Pinter on International StagesFormat:HardcoverDimensions:8.27 × 5.83 × 0.98 inPublished:October 17, 2014Publisher:Peter Lang GmbH, Internationaler Verlag der WissenschaftenLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:363165202X

ISBN - 13:9783631652022


Table of Contents

Contents: Mark Taylor-Batty: The Company of Men: Pinter’s Gendered Conflicts – Nick Ceramella: «Silence Symphony» Conducted by Pinter and Eduardo, Two World Theatre Maestri – Pia Vittoria Colombo: The Italian Anatomy of Pinter: With their Pinter’s Anatomy, Italian Contemporary Playwrights ricci/forte Pay Their Dues to the British Nobel Laureate – Eve Marine Dauvergne: An International Approach to A Slight Ache – Tomaž Onič: Early Productions of Pinter on the Slovene Stage – Acija Alfirević: Harold Pinter’s Reception in Croatia Benjamin Keatinge: Pinter in Macedonia: Productions, Translations and Critical Reception – Andrea P. Balogh: Harold Pinter’s Authorial Image: Negotiating between the West and Hungary – Anna Suwalska-Kołecka: Rediscovering Pinter - a few comments on the most recent Polish productions of Pinter’s plays – Nursen Gömceli: Harold Pinter’s «Room» on Turkish Stages: a «Dilemma» Between Art and Politics? – Susan Hollis Merritt: Being and Not Being Harold Pinter: Pinter Still in Play in the USA.