Hosay Trinidad: Muharram Performances In An Indo-caribbean Diaspora by Frank J. KoromHosay Trinidad: Muharram Performances In An Indo-caribbean Diaspora by Frank J. Korom

Hosay Trinidad: Muharram Performances In An Indo-caribbean Diaspora

byFrank J. Korom

Paperback | October 31, 2002

Pricing and Purchase Info

$37.95

Earn 190 plum® points

Prices and offers may vary in store

Quantity:

In stock online

Ships free on orders over $25

Not available in stores

about

The multivocalic rite known as Hosay in the Caribbean developed out of earlier practices originating in Iraq and Iran which diffused to Trinidad by way of South Asian indentured laborers brought to the Caribbean by the British from the mid-1800s to the early decades of the twentieth century. The rituals are important as a Shi'i religious observance, but they also are emblems of ethnic and national identity for Indo-Trinidadians. Frank Korom investigates the essential role of Hosay in the performance of multiple identities by historically and ethnographically situating the event in Middle Eastern, South Asian, and Caribbean contexts. Hosay Trinidad: Muharram Performances in an Indo-Caribbean Diaspora is the first detailed historical and ethnographic study of Islamic muharram rituals performed on the island of Trinidad.

Korom's central argument is that the annual rite is a polyphonic discourse that is best understood by employing multiple levels of interpretation. On the symbolic level the observance provides esoteric meaning to a small community of Indo-Trinidadian Muslims. On another level, it is perceived to be representative of "transplanted" Indian culture as a whole. Finally, the rituals are becoming emblematic of Trinidad's polyethnic population. Addressing strategies used to resist integration and assimilation, Hosay Trinidad is engaged with theories concerning the notion of cultural creolization in the Caribbean as well as in the general study of global diasporas.

Frank J. Korom teaches religion and anthropology at Boston University. He is coeditor of Gender, Genre, and Power in South Asian Expressive Traditions, also available from the University of Pennsylvania Press.
Loading
Title:Hosay Trinidad: Muharram Performances In An Indo-caribbean DiasporaFormat:PaperbackDimensions:320 pages, 9.25 × 6.12 × 0.8 inPublished:October 31, 2002Publisher:University of Pennsylvania Press, Inc.Language:English

The following ISBNs are associated with this title:

ISBN - 10:0812218256

ISBN - 13:9780812218251

Look for similar items by category:

Reviews

Table of Contents

List of Illustrations
A Note on Orthography

Introduction
1. Orientations and Overview
2. Muharram Rituals in Iran: Past and Present
3. The Passage of Rites to South Asia
4. Onward to the Caribbean
5. Building the Tadjah, Constructing Community
6. Conclusion: Maintenance and Transformation via Cultural Creolization
7. Epilogue

Notes
Glossary
Bibliography
Index
Acknowledgments

Editorial Reviews

"The book is free of jargon and recommended for anyone with an interest in contemporary interreligious issues, the possibilities within local Islamic cultures . . . , and questions of identity formation in a multicultural and multireligious society."—Religious Studies Review