How the Light Gets In: A Chief Inspector Gamache Novel

How the Light Gets In: A Chief Inspector Gamache Novel

Paperback | July 29, 2014

byLouise Penny

not yet rated|write a review

The #1 New York Times Bestseller

"There is a crack in everything. That's how the light gets in." -Leonard Cohen

Christmas is approaching, and in Québec it's a time of dazzling snowfalls, bright lights, and gatherings with friends in front of blazing hearths. But shadows are falling on the usually festive season for Chief Inspector Armand Gamache. Most of his best agents have left the Homicide Department, his old friend and lieutenant Jean-Guy Beauvoir hasn't spoken to him in months, and hostile forces are lining up against him. When Gamache receives a message from Myrna Landers that a longtime friend has failed to arrive for Christmas in the village of Three Pines, he welcomes the chance to get away from the city. Mystified by Myrna's reluctance to reveal her friend's name, Gamache soon discovers the missing woman was once one of the most famous people not just in North America, but in the world, and now goes unrecognized by virtually everyone except the mad, brilliant poet Ruth Zardo.
As events come to a head, Gamache is drawn ever deeper into the world of Three Pines. Increasingly, he is not only investigating the disappearance of Myrna's friend but also seeking a safe place for himself and his still-loyal colleagues. Is there peace to be found even in Three Pines, and at what cost to Gamache and the people he holds dear?
How the Light Gets In is the ninth Chief Inspector Gamache Novel from Louise Penny.
One of Publishers Weekly's Best Mystery/Thriller Books of 2013
One of The Washington Post's Top 10 Books of the Year
An NPR Best Book of 2013

Pricing and Purchase Info

$23.99 list price save 26%
In stock online
Ships free on orders over $25
Prices may vary. why?
Please call ahead to confirm inventory.

How the Light Gets In: A Chief Inspector Gamache Novel

Paperback | July 29, 2014
In stock online Available in stores
$17.65 online $23.99 (save 26%)

From the Publisher

The #1 New York Times Bestseller"There is a crack in everything. That's how the light gets in." -Leonard CohenChristmas is approaching, and in Québec it's a time of dazzling snowfalls, bright lights, and gatherings with friends in front of blazing hearths. But shadows are falling on the usually festive season for Chief Inspector Armand...

LOUISE PENNY is the author of the #1 New York Times and Globe and Mail bestselling series of Chief Inspector Armand Gamache novels. She has won numerous awards, including a CWA Dagger and the Agatha Award (five times), and was a finalist for the Edgar Award for Best Novel. In 2017, she received the Order of Canada "for her contribution...

other books by Louise Penny

Glass Houses: A Novel
Glass Houses: A Novel

Hardcover|Aug 29 2017

$30.25$33.99list pricesave 11%
A Great Reckoning: A Novel
A Great Reckoning: A Novel

Paperback|May 2 2017

$20.00$23.99list pricesave 16%
The Brutal Telling
The Brutal Telling

Paperback|Jun 7 2011

$14.61$15.99list pricesave 8%
see all books by Louise Penny
Format:PaperbackDimensions:432 pages, 8.2 × 5.54 × 1.13 inPublished:July 29, 2014Publisher:St. Martin's PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:1250047277

ISBN - 13:9781250047274

Look for similar items by category:

Customer Reviews of How the Light Gets In: A Chief Inspector Gamache Novel


Extra Content

Read from the Book

ONE Audrey Villeneuve knew what she imagined could not possibly be happening. She was a grown woman and could tell the difference between real and imagined. But each morning as she drove through the Ville-Marie Tunnel from her home in east-end Montréal to her office, she could see it. Hear it. Feel it happening.The first sign would be a blast of red as drivers hit their brakes. The truck ahead would veer, skidding, slamming sideways. An unholy shriek would bounce off the hard walls and race toward her, all-consuming. Horns, alarms, brakes, people screaming.And then Audrey would see huge blocks of concrete peeling from the ceiling, dragging with them a tangle of metal veins and sinews. The tunnel spilling its guts. That held the structure up. That held the city of Montréal up.Until today.And then, and then … the oval of daylight, the end of the tunnel, would close. Like an eye.And then, darkness.And the long, long wait. To be crushed.Every morning and each evening, as Audrey Villeneuve drove through the engineering marvel that linked one end of the city with another, it collapsed.“It’ll be all right.” She laughed to herself. At herself. “It’ll be all right.”She cranked the music louder and sang loudly to herself.But still her hands on the steering wheel tingled, then grew cold and numb, and her heart pounded. A wave of slush whacked her windshield. The wipers swept it away, leaving a half moon of streaky visibility.Traffic slowed. Then stopped.Audrey’s eyes widened. This had never happened before. Moving through the tunnel was bad enough. Stopped in it was inconceivable. Her brain froze.“It’ll be all right.” But she couldn’t hear her voice, so thin was her breath and so great the howl in her head.She locked the door with her elbow. Not to keep anyone out, but to keep herself in. A feeble attempt to stop herself from flinging open the door and running, running, screaming out of the tunnel. She gripped the wheel. Tight. Tight. Tighter.Her eyes darted to the slush-spattered wall, the ceiling, the far wall.The cracks.Dear God, cracks.And the half-hearted attempts to plaster over them.Not to repair them, but hide them.That doesn’t mean the tunnel will collapse, she assured herself.But the cracks widened and consumed her reason. All the monsters of her imagination became real and were squeezing out, reaching out, from between those faults.She turned the music off so she could concentrate, hyper-vigilant. The car ahead inched forward. Then stopped.“Go, go, go,” she pleaded.But Audrey Villeneuve was trapped and terrified. With nowhere to go. The tunnel was bad, but what waited for her in the gray December sunlight was worse.For days, weeks, months—even years, if she was being honest—she’d known. Monsters existed. They lived in cracks in tunnels, and in dark alleys, and in neat row houses. They had names like Frankenstein and Dracula, and Martha and David and Pierre. And you almost always found them where you least expected.She glanced into the rearview mirror and met two frightened brown eyes. But in the reflection she also saw her salvation. Her silver bullet. Her wooden stake.It was a pretty party dress.She’d spent hours sewing it. Time she could have, should have, spent wrapping Christmas gifts for her husband and daughters. Time she could have, should have, spent baking shortbread stars and angels and jolly snowmen, with candy buttons and gumdrop eyes.Instead, each night when she got home Audrey Villeneuve went straight to the basement, to her sewing machine. Hunched over the emerald green fabric, she’d stitched into that party dress all her hopes.She would put it on that night, walk into the Christmas party, scan the room and feel surprised eyes on her. In her clingy green dress, frumpy Audrey Villeneuve would be the center of attention. But it wasn’t made to get everyone’s attention. Just one man’s. And when she had that, she could relax.She’d hand over her burden, and get on with life. The faults would be repaired. The fissures closed. The monsters returned to where they belonged.The exit to the Champlain Bridge was in sight. It wasn’t what she normally took, but this was far from a normal day.Audrey put on her signal and saw the man in the next car give her a sour look. Where did she think she was going? They were all trapped. But Audrey Villeneuve was more trapped. The man gave her the finger, but she took no offense. In Québec it was as casual as a friendly wave. If the Québécois ever designed a car, the hood ornament would be a middle finger. Normally she’d give him a “friendly wave” back, but she had other things on her mind.She edged into the far right lane, toward the exit to the bridge. The wall of the tunnel was just feet away. She could have stuck her fist into one of the holes.“It’ll be all right.”Audrey Villeneuve knew it would be many things, but all right probably wasn’t one of them. Copyright © 2013 by Three Pines Creations, Inc.

Editorial Reviews

NPR's Best Books of 2013Washington Post Top 5 Fiction Books of the YearLibrary Journal's Top 5 Mysteries for 2013The Globe and Mail Best Book List for 2013Booklist's Year's Best Crime Novels for 2013"This is a mystery novel worth staying home for: Cancel those weekend plans, crank up the air conditioner and mute all electronic devices.In 'How the Light Gets In,' Penny has written a magnificent mystery novel that appeals not only to the head, but also to the heart and soul."-The Washington Post"The delightfully quirky inhabitants of Three Pines are the kind of people you can't wait to see again."-Marilyn Stasio, New York Times Book Review"Penny proves again that she is one of our finest writers." -People (4 stars)"Good and evil do battle not just out in the world, Ms. Penny's thoughtful and absorbing text shows, but in each of us."-Wall Street Journal"Louise Penny has done it again. Magic. Wonderful, captivating, heart-pumping, edge-of-the-seat magic."-Huffington Post"Penny's Quebec-set Inspector Gamache novels concentrate on psychological underpinnings of the crimes and are among the strongest and most fascinating books being written. This is a wonderful book."-RT Book Review Magazine, TOP PICK, 4 ½ stars"Masterful...Once again, Penny impressively balances personal courage and faith with heartbreaking choices and monstrous evil." -Publishers Weekly (starred) on How the Light Gets In"Penny has always used setting to support theme brilliantly, but here she outdoes herself, contrasting light and dark, innocence and experience, goodness and evil both in the emotional lives of her characters and in the way those characters leave their footprints on the landscape. Another bravura performance from an author who has reinvented the village mystery as profoundly as Dashiell Hammett transformed the detective novel." -Booklist (starred)"Highly recommended for mystery lovers, readers who enjoy character-driven mysteries, and those who like seeing good triumph and evil get its just desserts." -Library Journal (starred)"Three Pines, with its quirky tenants, and luminous insights into trust and friendship...will hook readers and keep them hooked." -Kirkus Reviews (starred) on How the Light Gets In"A magnificent writer who deftly and sympathetically explores the dark desires, pains and joys of the human heart in each immaculately-crafted tale she writes." -Cleveland Plain Dealer on How the Light Gets In"Penny takes her mix of the cozy mystery and the police procedural to a new high in her enthralling ninth novel by merging two plots.'How the Light Gets In' sparkles, from its amusing beginning to its jaw-dropping finale." -Oline Cogdill, South Florida Sun Sentinel "If you have not yet made the acquaintance of Armand Gamache, Chief Inspector of the Québec Homicide Department, now is an excellent time to do so. How the Light Gets In is Canadian writer Louise Penny's ninth novel featuring the wise and wonderful Gamache. Intriguing plot lines, marvelous character development, and heavy atmospherics make this series a winner."-Christian Science Monitor"One of the best Canadian crime series goes from strength to strength. Marvelous."-The Globe and Mail "Heartbreaking. surreal. We hung on after last year's cliffhanger and, friends, it was well worth it."-Salem Macknee, The Charlotte Observer"A magnificent writer who deftly and sympathetically explores the dark desires, pains and joys of the human heart in each immaculately-crafted tale she writes."-Plain Dealer"With the grace of a master prose stylist and the generosity born of a kind heart, Penny again explores the mysteries of humanity in a novel that builds to a nerve-burning climax, engages the mind in an examination of sin and redemption and ends in tears of relief. Suffused with brilliance on all levels, 'How the Light Gets In' displays Penny at her beautiful and bountiful best."-Richmond Times-Dispatch