I & I by George Elliott ClarkeI & I by George Elliott Clarke

I & I

byGeorge Elliott ClarkeIllustratorLateef Martin

Paperback | January 30, 2009

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Shortlisted, Acorn-Plantos Award for People's Poetry and Dartmouth Book Award

In the "Boogie Nights" era of the 1970s, Betty Browning and her lover, boxer Malcolm Miles, travel from the fog-anchored grime of Halifax, Nova Scotia, to sunburnt Corpus Christi, Texas, and back — meeting tragedy and bloodshed along the way. I & I smoulders with love, lust, violence, and the excruciating repercussions of racism, sexism, and disgust. Rastafarian for "you and me," "I & I" expresses the oneness of God and man, the oneness of two people or the distinction between body and spirit.

In George Elliott Clarke's hands, this existential aesthetic crystallizes in a love story of Gothic grit. The narrative gives this verse novel shape; the poetry makes it sing, straddling folk ballad, soul, and pop music, all the while moaning the blues.

Born in Windsor, Nova Scotia, at the beginning of the 1960s, George Elliott Clarke is a seventh-generation Africadian. He has published more than a dozen volumes of poetry and prose, including Whylah Falls and Execution Poems, an acclaimed novel George & Rue, and the celebrated opera, Beatrice Chancy. His many awards include the Gover...
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Title:I & IFormat:PaperbackDimensions:238 pages, 8.5 × 5.48 × 0.55 inPublished:January 30, 2009Publisher:GSELanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0864925131

ISBN - 13:9780864925138

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In the "Boogie Nights" era of the 1970s, Betty Browning and her lover, boxer Malcolm Miles, travel from the fog-anchored grime of Halifax, Nova Scotia, to sunburnt Corpus Christi, Texas, and back — meeting tragedy and bloodshed along the way. I & I smoulders with love, lust, violence, and the excruciating repercussions of racism, sexism, and disgust. Rastafarian for "you and me," "I & I" expresses the oneness of God and man, the oneness of two people or the distinction between body and spirit. In George Elliott Clarke's hands, this existential aesthetic crystallizes in a love story of Gothic grit. The narrative gives this verse novel shape; the poetry makes it sing, straddling folk ballad, soul, and pop music, all the while moaning the blues."The poetry itself is the thing, the overflowing energy of the language in this book — a profusion of rhetorical tropes and schemes and a breathtaking array of literary and cultural allusion. . . . Truly an original creation. It was probably fun to write; it is certainly a pleasure to read." — Eric Trethewey