In Person: Reenactment in Postwar and Contemporary Cinema

byIvone Margulies

Paperback | January 18, 2019

In Person: Reenactment in Postwar and Contemporary Cinema by Ivone Margulies
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In Person: Reenactment in Postwar and Contemporary Cinema delineates a new performative genre based on replay and self-awareness. The book argues that in-person reenactment, an actual person reenacting her past on camera, departs radically from other modes of mimetic reconstruction. In Person theorizes this figure's protean temporality and revisionist capabilities and it considers its import in terms of social representativity and exemplarity. Close readings of select, historicized examples define an alternate, confessional-performative vein to understand the self-reflexive nature of postwar and post-holocaust testimonial cinemas. The book contextualizes Zavattini's proposal that in neorealism everyone should act his own story in a sort of anti-individualist, public display (Love in the City and We the Women). It checks the convergence between verite experiments, a heightened self-critique in France and the reception of psychodrama in France (Chronicle of a summer and The Human Pyramid) in the late fifties. And, through Bazin, it reflects on the quandaries of celebrity biopics: how the circularity of the star's iconography is checked by her corporeal limits (Sophia her Own Story and the docudrama Torero!). In Person traces a shift from the exemplary and transformative ethos of fifties reenactment towards the un-redemptive stance of contemporary reenactment films such as Lanzmann's Shoah, Zhang Yuan's Sons, Andrea Tonacci's Hills of Chaos. It defines continuities between verite testimony (Chronicle, and Moi un Noir) and later para-juridical films such as the Karski Report and Rithy Panh's S21, the Khmer Rouge Killing Machine suggesting the power of co-presence and in person actualization for an ethics of viewership.
Ivone Margulies is a Professor in the Department of Film and Media at Hunter College of the City University of New York. Her previous publications include Nothing Happens: Chantal Akerman's Hyperrealist Everyday and the edited volume Rites of Realism: Essays on Corporeal Cinema.
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Title:In Person: Reenactment in Postwar and Contemporary CinemaFormat:PaperbackProduct dimensions:352 pages, 9.25 X 6.12 X 0.68 inShipping dimensions:352 pages, 9.25 X 6.12 X 0.68 inPublished:January 18, 2019Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0190496835

ISBN - 13:9780190496838

Appropriate for ages: All ages

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