Indecent Exposures: Eadweard Muybridge's Animal Locomotion Nudes by Sarah Gordon

Indecent Exposures: Eadweard Muybridge's Animal Locomotion Nudes

bySarah Gordon

Hardcover | October 27, 2015

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A revelatory look at how Muybridge's photographs of nudes in motion propelled crucial scientific and cultural advancements of the modern era

Photographer Eadweard Muybridge (1830–1904), often termed the father of the motion picture, presented his iconic Animal Locomotion series in 1887. Produced under the auspices of the University of Pennsylvania and encompassing thousands of photographs of humans and animals in motion, the series included more than 300 plates of nude men and women engaged in activities such as swinging a baseball bat, playing leapfrog, and performing housework—an astonishing fact given the period’s standards of propriety.

In the first sustained examination of these nudes and the remarkable success of their production, wide circulation, and reception, Indecent Exposures positions this revolutionary enterprise as central to crucial advancements of the modern era. Muybridge’s nudes ushered in new attitudes toward science and progress, including Darwinian ideas about human evolution and hierarchy; quickened debates over the role of photography and scientific investigation in art; and offered innovative perspectives on the human body. This fascinating story is copiously illustrated, and includes many lesser-known photographs published here for the first time.

About The Author

Sarah Gordon is a lecturer, curator, and art consultant based in Washington, D.C.
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Details & Specs

Title:Indecent Exposures: Eadweard Muybridge's Animal Locomotion NudesFormat:HardcoverDimensions:184 pages, 10 × 8 × 0.98 inPublished:October 27, 2015Publisher:Yale University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0300209487

ISBN - 13:9780300209488

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“Sarah Gordon’s willingness to move beyond the technology and aesthetics of motion and discuss meaning found in the unique presentation of Muybridge’s grids—and in the individual images—leads to a fascinating discussion of his true subject matter when photographing nudes: the artist’s and viewer’s gaze.”—Philip Brookman, National Gallery of Art