Kierkegaard and the Staging of Desire: Rhetoric and Performance in a Theology of Eros by Carl S. HughesKierkegaard and the Staging of Desire: Rhetoric and Performance in a Theology of Eros by Carl S. Hughes

Kierkegaard and the Staging of Desire: Rhetoric and Performance in a Theology of Eros

byCarl S. Hughes

Hardcover | July 2, 2014

Pricing and Purchase Info

$71.50

Earn 358 plum® points

Prices and offers may vary in store

Out of stock online

Not available in stores

about

Theology in the modern era often assumes that the consummate form of theological discourse is objective prose-ignoring or condemning apophatic traditions and the spiritual eros that drives them. For too long, Kierkegaard has been read along these lines as a progenitor of twentieth-century neo-orthodoxy and a stern critic of the erotic in all its forms. In contrast, Hughes argues that Kierkegaard envisions faith fundamentally as a form of infinite, insatiable eros. He depicts the essential purpose of Kierkegaard's writing as to elicit ever-greater spiritual desire, not to provide the satisfactions of doctrine or knowledge.

Hughes's argument revolves around close readings of provocative, disparate, and (in many cases) little-known Kierkegaardian texts. The thread connecting all of these texts is that they each conjure up some sort of performative "stage setting," which they invite readers to enter. By analyzing the theological function of these texts, the book sheds new light on the role of the aesthetic in Kierkegaard's authorship, his surprising affinity for liturgy and sacrament, and his overarching effort to conjoin eros for God with this-worldly love.

Carl S. Hughes is Assistant Professor of Theology at Texas Lutheran University.
Loading
Title:Kierkegaard and the Staging of Desire: Rhetoric and Performance in a Theology of ErosFormat:HardcoverDimensions:272 pagesPublished:July 2, 2014Publisher:Fordham University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0823257258

ISBN - 13:9780823257256

Reviews

Editorial Reviews

Hughes' attention to historical details is impressive. Few scholars have recognized the importance of vaudeville and farce for Kierkegaard, and few have researched the Danish appropriation of these French and German genres in the way that Hughes has done.