Modern European literature has traditionally been seen as a series of attempts to assert successive styles of writing as "new". In this groundbreaking study, Ben Hutchinson argues that literary modernity can in fact be understood not as that which is new, but as that which is "late". Exploringthe ways in which European literature repeatedly defines itself through a sense of senescence or epigonality, Hutchinson shows that the shifting manifestations of lateness since romanticism express modernity's continuing quest for legitimacy. With reference to a wide range of authors - from Mary Shelley, Chateaubriand, and Immermann, via Baudelaire, Henry James, and Nietzsche, to Valry, Djuna Barnes, and Adorno - Lateness and Modern European Literature combines close readings with historical and theoretical comparisons of numerousnational contexts. Out of this broad comparative sweep emerges a taxonomy of lateness, of the diverse ways in which modern writers can be understood, in the words of Nietzsche, as 'creatures facing backwards'. Ambitious and original, this book offers a significant new model for understandingliterary modernity.