`to the European, the American is first and foremost a dollar-fiend. We tend to forget the emotional heritage of Hector St John de Crevecoeur' When D.H. Lawrence made this statement in his Studies in Classic American Literature, he was thinking of the Letters from an American Farmer. First published in England in 1782, the Letters came at a timely moment as attention was focused on America in the closing year of the Revolutionary War ofIndependence. Crevecoeur's famous question `What, then, is the American, this new man?' was a matter of great interest, as it became evident that America, that new nation, was taking shape before the eyes of the world. Some of American literature's most pressing and recurrent concerns areadumbrated in the substance and style of the Letters: in addition to the question of American identity, they celebrate the largeness and fertility of the land, personal determination, and freedom from institutional oppression. Darker and more symbolic elements complicate the initially sunnypicture, however: the issue of slavery is raised in a particularly disturbing episode, and the final Letter, `Distresses of a Frontier Man,' dramatizes the disintegration of the rational enlightened society of agrarian America into a nightmare of confusion, incomprehension and premonitions ofunspeakable evil. Written by an emigrant French aristocrat turned farmer, the Letters from an American Farmer has a good claim to be regarded as the first work of American literature, at once intensely interesting in its own right, and casting a long shadow of influence on both subsequent American writers andEuropean travel accounts of the moral, spiritual and material topography of the new nation.