Letters On Cézanne by Rainer Maria RilkeLetters On Cézanne by Rainer Maria Rilke

Letters On Cézanne

byRainer Maria RilkeTranslated byJoel Agee

Paperback | September 15, 2002

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Rilke's prayerful responses to the french master's beseeching art

For a long time nothing, and then suddenly one has the right eyes.

Virtually every day in the fall of 1907, Rainer Maria Rilke returned to a Paris gallery to view a Cezanne exhibition. Nearly as frequently, he wrote dense and joyful letters to his wife, Clara Westhoff, expressing his dismay before the paintings and his ensuing revelations about art and life.

Rilke was knowledgeable about art and had even published monographs, including a famous study of Rodin that inspired his New Poems. But Cezanne's impact on him could not be conveyed in a traditional essay. Rilke's sense of kinship with Cezanne provides a powerful and prescient undercurrent in these letters -- passages from them appear verbatim in Rilke's great modernist novel, The Notebooks of Malte Laurids Brigge. Letters on Cezanne is a collection of meaningfully private responses to a radically new art.

Rainer Maria Rilke was born in Prague in 1875 and traveled throughout Europe for much of his adult life, returning frequently to Paris. There he came under the influence of the sculptor Auguste Rodin and produced much of his finest verse, most notably the two volumes of New Poems as well as the great modernist novel The Notebooks of Ma...
Title:Letters On CézanneFormat:PaperbackDimensions:112 pages, 8.5 × 5.5 × 0.27 inPublished:September 15, 2002Publisher:Farrar, Straus And GirouxLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:086547639X

ISBN - 13:9780865476394

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Read from the Book

Letters On CezanneHÔTEL DU QUAI VOLTAIRE, MONDAY, JUNE 3, 1907... seeing and working--how different they are here. Everywhere else you see, and think: later--. Here they're almost one and the same. You're back again:1 that's not strange, not remarkable, not striking; it's not even a celebration; for a celebration would already be an interruption. But this here takes you and goes further with you and goes with you to everything and right through everything, through small things and great. Everything that was rearranges itself, lines up in formation, as if someone were standing there giving orders; and whatever is present is utterly and urgently present, as if prostrate on its knees and praying for you ...Translation copyright © 1985, 2002 by Farrar, Straus and Giroux

Editorial Reviews

"The greatness of Cezanne could be conveyed only by an artist equally great." -Howard Moss, The New Yorker