Literary and Linguistic Theories in Eighteenth-Century France: From Nuances to Impertinence by Edward NyeLiterary and Linguistic Theories in Eighteenth-Century France: From Nuances to Impertinence by Edward Nye

Literary and Linguistic Theories in Eighteenth-Century France: From Nuances to Impertinence

byEdward Nye

Hardcover | October 15, 2000

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'Linguistic' theories in the eighteenth-century are also theories of literature and art, and it is probably better, therefore, to think of them as 'aesthetic' theories. As such, they are answers to the age-old question 'what is beauty?', but formulated, also, to respond to contemporaryconcerns. Edward Nye considers a wide range of authors from these two perspectives and draws the following conclusions: etymology is a theory of poetry, dictionaries of synonymy, prosody and metaphor are theories of preciosity, and Sensualism is a theory of artistic representation. The background tothese contentions is outlined in Chapter One, in which Edward Nye traces the rise of the term 'nuances' as an attempt by contemporary authors to understand representation in art as a rationalization of chaotic reality. The demise of these contentions at the end of the century is described in thelast chapter, in which the dominant language theory of the day, ideologie, is shown to be antagonistic to the study of art and literature. Theories of language are no longer an answer to the question 'what is beauty?'
Edward Nye is University Lecturer in French, and Fellow of Lincoln College, Oxford
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Title:Literary and Linguistic Theories in Eighteenth-Century France: From Nuances to ImpertinenceFormat:HardcoverDimensions:240 pages, 8.5 × 5.43 × 0.75 inPublished:October 15, 2000Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0198160127

ISBN - 13:9780198160120

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Table of Contents

List of FiguresIntroduction1. The history of 'nuances': imitation in the eighteenth century2. Preciosity and its discontents3. Condillac's idea of 'nature'4. Linguistic and Poetic sound symbolism5. The Dissolution of LanguageConclusionAppendixBibliographyIndex