Literary Imitation in the Italian Renaissance: The Theory and Practice of Literary Imitation in Italy from Dante to Bembo by Martin L. McLaughlin

Literary Imitation in the Italian Renaissance: The Theory and Practice of Literary Imitation in…

byMartin L. McLaughlin

Hardcover | April 30, 1999

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The concept of imitatio - the imitation of classical and vernacular texts - was the dominant critical and creative principle in Italian Renaissance literature. Linked to modern notions of intertextuality, imitation has been much discussed recently, but this is the first book to offer acomprehensive survey of Italian Renaissance ideas on imitation, covering both theory and practice, and both Latin and vernacular works. Martin McLaughlin charts the emergence of the idea, in vague terms in Dante, then in Petrarch's more precise reconstruction of classical imitatio, before concentrating on the major writers of the Quattrocento. Some chapters deal with key humanists, such as Lorenzo Valla and Pico della Mirandola,while others discuss each of the major vernacular figures in the debate, including Leonardo Bruni, Leon Battista Alberti, Angelo Poliziano, and Pietro Bembo. For the first time scholars and student have an up-to-date account of the development of Ciceronianism in both Latin and the vernacularbefore 1530, and the book provides fresh insights into some of the canonical works of Italian literature from Dante to Bembo.

About The Author

Martin L. McLaughlin is at Christ Church, Oxford.
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Title:Literary Imitation in the Italian Renaissance: The Theory and Practice of Literary Imitation in…Format:HardcoverDimensions:322 pages, 8.5 × 5.43 × 0.94 inPublished:April 30, 1999Publisher:Oxford University Press

The following ISBNs are associated with this title:

ISBN - 10:0198158998

ISBN - 13:9780198158998

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`an excellent scholarly study'The Years Work in Modern Language Studies Vol 59, 1997