Making Race: Modernism and ?Racial Art? in America by Jacqueline Francis

Making Race: Modernism and ?Racial Art? in America

byJacqueline Francis

Hardcover | July 20, 2015

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Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices.

Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present.

About The Author

Jacqueline Francis is a senior lecturer at the California College of the Arts.
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Title:Making Race: Modernism and ?Racial Art? in AmericaFormat:HardcoverDimensions:256 pages, 9 × 6 × 0.98 inPublished:July 20, 2015Publisher:University Of Washington PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0295996897

ISBN - 13:9780295996899

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Extra Content

Table of Contents

AcknowledgmentsList of Illustrations

1. Introduction2. The Meaning of Modernism3. Making Race in American Religious Painting4. Type/Face/Mask: Racial Portraiture5. The Race of Landscape6. Conclusion

Notes BibliographyIndex

Editorial Reviews

There is a theoretical framework to this study, that grows out of the author?s interest in both multiculturalism and race theory, and she does a masterful job in exploring the work of the three artists through a variety of lenses.

- David M. Sokol - Journal of American Culture - 2013