Memory And Imagination In Film: Scorsese, Lynch, Jarmusch, Van Sant by P. LombardoMemory And Imagination In Film: Scorsese, Lynch, Jarmusch, Van Sant by P. Lombardo

Memory And Imagination In Film: Scorsese, Lynch, Jarmusch, Van Sant

byP. Lombardo

Paperback | January 1, 2014

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Inspired by Baudelaire's art criticism and contemporary theories of emotions, and developing a new aesthetic approach based on the idea that memory and imagination are strongly connected, Lombardo analyzes films by Scorsese, Lynch, Jarmusch and Van Sant as imaginative uses of the history of cinema as well as of other media.
Patrizia Lombardo has taught at Princeton University and the University of Pittsburgh, USA. She now teaches French, comparative literature and film, and leads the project 'Affective Dynamics and Aesthetic Emotions', at the Swiss Center for Affective Sciences at the University of Geneva, Switzerland. Her publications include The Three P...
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Title:Memory And Imagination In Film: Scorsese, Lynch, Jarmusch, Van SantFormat:PaperbackDimensions:244 pages, 21.6 × 14 × 0.02 inPublished:January 1, 2014Publisher:Palgrave MacmillanLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:1349317438

ISBN - 13:9781349317431

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Table of Contents

List of Figures Acknowledgments Abbreviations Introduction PART I: THE WONDER OF CINEMA: SCORSESE 1. Living in Manhattan in the 19th Century 2. Memory and Astonishment in Shutter Island 3. Style and Signature in Film 4. Bazin, Bresson and Scorsese: Performatives in Film Intermezzo 5. Jim Jarmusch's Philosophy of Composition PART II: EXPERIMENTING TIME AND SPACE: VAN SANT AND LYNCH 6. Minimalist Aesthetics in Gerry 7. Space and Long Takes in Paranoid Park 8. Lives on film: Gus Van Sant's Milk 9. David Lynch: Painting in Film Filmography Bibliography Notes