Modernism Is the Literature of Celebrity by Jonathan Goldman

Modernism Is the Literature of Celebrity

byJonathan Goldman

Paperback | May 15, 2012

not yet rated|write a review

Pricing and Purchase Info

$34.53

Earn 173 plum® points

In stock online

Ships free on orders over $25

Not available in stores

about

The phenomenon of celebrity burst upon the world scene about a century ago, as movies and modern media brought exceptional, larger-than-life personalities before the masses. During the same era, modernist authors were creating works that defined high culture in our society and set aesthetics apart from the middle- and low-brow culture in which celebrity supposedly resides. To challenge this ingrained dichotomy between modernism and celebrity, Jonathan Goldman offers a provocative new reading of early twentieth-century culture and the formal experiments that constitute modernist literature's unmistakable legacy. He argues that the literary innovations of the modernists are indeed best understood as a participant in the popular phenomenon of celebrity.

Presenting a persuasive argument as well as a chronicle of modernism's and celebrity's shared history, Modernism Is the Literature of Celebrity begins by unraveling the uncanny syncretism between Oscar Wilde's writings and his public life. Goldman explains that Wilde, in shaping his instantly identifiable public image, provided a model for both literary and celebrity cultures in the decades that followed. In subsequent chapters, Goldman traces this lineage through two luminaries of the modernist canon, James Joyce and Gertrude Stein, before turning to the cinema of mega-star Charlie Chaplin. He investigates how celebrity and modernism intertwine in the work of two less obvious modernist subjects, Jean Rhys and John Dos Passos. Turning previous criticism on its head, Goldman demonstrates that the authorial self-fashioning particular to modernism and generated by modernist technique helps create celebrity as we now know it.

About The Author

JONATHAN GOLDMAN is Assistant Professor of English at the New York Institute of Technology’s Manhattan campus. A scholar of literature’s relationship to popular culture, he has made modernism and celebrity his particular field of expertise, coediting (with Aaron Jaffe) a volume of essays titled Modernist Star Maps: Celebrity, Modernity...
The Divine Name: Sounds Of The God Code
The Divine Name: Sounds Of The God Code

by Gregg Braden

$14.99$15.00

In stock online

Not available in stores

The 7 Secrets Of Sound Healing Revised Edition
The 7 Secrets Of Sound Healing Revised Edition

by Jonathan Goldman

$16.99

In stock online

Available in stores

Shop this author

Details & Specs

Title:Modernism Is the Literature of CelebrityFormat:PaperbackDimensions:216 pages, 9 × 6 × 0.56 inPublished:May 15, 2012Publisher:University Of Texas PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0292744048

ISBN - 13:9780292744042

Look for similar items by category:

Customer Reviews of Modernism Is the Literature of Celebrity

Reviews

Extra Content

Table of Contents

AcknowledgmentsIntroduction: Modernism Is the Literature of Celebrity Critical Problem Solving: Modernism and Popular Culture The Field of Modernism and the Culture of Celebrity Considering Celebrity Why Modernism Is the Literature of Celebrity1. Oscar Wilde, Fashioning Fame Copying Oneself Judging By Appearances in Dorian Gray The Tragic Commodity Deep Thoughts: Embodying the Subject in De Profundis2. James Joyce and Modernist Exceptionalism Styling the Author "Peeping and prying into greenroom gossip of the day" "Famous Son of a Famous Father": Author, Character, Holy Ghost The Dream of Immateriality E.T.: The Extra-Textual The Ghost of the Author3. Gertrude Stein, Everybody's Celebrity Elite By Association Unstable Values The Trademark of Time Name of Constant Value A Democracy of One4. Charlie Chaplin, Author of Modernist Celebrity Happy Endings An Author Is Born Sign of the Times The Object of Celebrity5. Rhys, the Obscure: The Literature of Celebrity at the Margins That Obscure Abject of Desire Bildung in the Dark The Hidden Rhys Wide Sargasso City Posthuman Beings Celebrity on the MarginsEpilogue. "Everybody who was anybody was there": After Modernism, After Celebrity, John Dos Passos The Camera, I The In Crowd Stein and They, Hemingway U.S.A. and HemNotesBibliographyIndex

Editorial Reviews

The phenomenon of celebrity burst upon the world scene about a century ago, as movies and modern media brought exceptional, larger-than-life personalities before the masses. During the same era, modernist authors were creating works that defined high culture in our society and set aesthetics apart from the middle- and low-brow culture in which celebrity supposedly resides. To challenge this ingrained dichotomy between modernism and celebrity, Jonathan Goldman offers a provocative new reading of early twentieth-century culture and the formal experiments that constitute modernist literature’s unmistakable legacy. He argues that the literary innovations of the modernists are indeed best understood as a participant in the popular phenomenon of celebrity. Presenting a persuasive argument as well as a chronicle of modernism’s and celebrity’s shared history, Modernism Is the Literature of Celebrity begins by unraveling the uncanny syncretism between Oscar Wilde’s writings and his public life. Goldman explains that Wilde, in shaping his instantly identifiable public image, provided a model for both literary and celebrity cultures in the decades that followed. In subsequent chapters, Goldman traces this lineage through two luminaries of the modernist canon, James Joyce and Gertrude Stein, before turning to the cinema of mega-star Charlie Chaplin. He investigates how celebrity and modernism intertwine in the work of two less obvious modernist subjects, Jean Rhys and John Dos Passos. Turning previous criticism on its head, Goldman demonstrates that the authorial self-fashioning particular to modernism and generated by modernist technique helps create celebrity as we now know it.This book makes a very fresh, original, and substantial contribution to the study of both modernism and modern celebrity, and it is also a most enjoyable book to read. It is engaging in style and persuasively argued, and makes some unexpected and very insightful connections among a diverse range of authors. It is also founded on an impressive body of research. I strongly recommend it. - Faye Hammill, University of Strathclyde, author of Women, Celebrity, and Literary Culture between the Wars