Modernism, Magazines, and the British avant-garde: Reading Rhythm, 1910-1914

Hardcover | June 10, 2010

byFaith Binckes

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This book is a re-examination of the fertile years of early modernism immediately preceding the First World War. During this period, how, where, and under whose terms the avant-garde in Britain would be constructed and consumed were very much to play for. It is the first study to look indetail at two little magazines marginalised from many accounts of this competitive process: Rhythm and the Blue Review. By thoroughly examining not only the content but the interrelated networks that defined and surrounded these publications, Faith Binckes aims to provide a fresh and challengingperspective to the on-going reappraisal of modernism.Founded in 1911, and edited by John Middleton Murry with assistance from Michael Sadleir and subsequently from Katherine Mansfield, these magazines featured a series of pivotal moments. Rhythm was the arena for a challenge to Roger Fry's vision of Post-Impressionism, for the introduction of Picassoto a British audience, for early short stories and reviews by Lawrence, and for Mansfield's discovery of a voice in which to frame her breakthrough writing on New Zealand. A further context for many of these experiments was the extended and acrimonious debate Rhythm conducted with A.R. Orage's NewAge, in which issues of the proper gender, generation, and formulation of modernity were debated month by month.However, reading magazines as vehicles for avant-garde development can only provide half the story. The book also pays close attention to their dialogic, reproductive, and periodical nature, and explores the strategies at work within the terminology of the new. Crucially, it argues that they offercompelling material evidence for the consistently mobile and multiple boundaries of the modern, and puts forward a compelling case for focusing upon the specificity of magazines as a medium for literary and artistic innovation.

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This book is a re-examination of the fertile years of early modernism immediately preceding the First World War. During this period, how, where, and under whose terms the avant-garde in Britain would be constructed and consumed were very much to play for. It is the first study to look indetail at two little magazines marginalised from ...

Faith Binckes currently holds a lectureship in English at Brasenose College, Oxford, and has previously held an AHRC-funded research associateship in the English Faculty, Oxford University. Her research interests are in periodical culture, gender and writing, and art and literature in the late nineteenth and twentieth centuries. She i...
Format:HardcoverDimensions:304 pagesPublished:June 10, 2010Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0199252521

ISBN - 13:9780199252527

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Table of Contents

Introduction: Little magazines: modernism in miniature?1. Textual investments and publishing fields2. Networks of difference: Rhythm and the avant-garde, 1911-19123. "Cette belle allure independante": tradition, France, and the Fantaisistes4. "The type of people one can't stand": Murry, Mansfield, modernism5. Being graphic: Post-Impression, reproduction, and the Rhythmists6. Sailing the "Blue Sieve": Rhythm, the Blue Review and the GeorgiansConclusion: afterlives and the Signature