368 pages, 7.99 × 5.4 × 0.98 in
December 7, 2010
The following ISBNs are associated with this title:
ISBN - 10: 0307398064
ISBN - 13: 9780307398062
Read from the Book
ONE The first day she arrived she knew she wouldn’t like it. The place was cold and drafty. The clothes they made her wear were hot and itchy. They didn’t fit well at all, and all the girls had to wear the exact same thing. The boys, situated at the opposite end of the building, were not allowed to talk to the girls. Brothers weren’t allowed to interact with sisters, cousins and so on. Only the People in Black, otherwise known as the Nuns and the Priests, were allowed to talk to each other. To the young girl, these people had nothing interesting to say. And what they did say was usually not very nice. And what they did was sometimes even worse. Those with darker skin who were not yet adults and free of this mandatory education called it the Angry Place. Still, she put up with it. It had taken a long time to get here and she instinctively knew it would take her a much longer time to get home. Wherever that was—she had no idea if it was north, south, east or west. It was just far away. As soon as she arrived, she was told stories of one of the girls trying to run away. She wasn’t the type to break the rules like that. Instead, she decided to deal with the present by con cen trating on the past and the future: remembering the family she had just left, and imagining the family that she would someday have. Sister Agnes had christened the girl Lillian. As soon as she had arrived, they told her that her Anishnawbe name was not to be uttered anymore. Her old name became her secret th
From the Publisher
A story of magic, family, a mysterious stranger . . . and a band of marauding raccoons.
Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.
From the Hardcover edition.
About the Author
An Ojibway from the Curve Lake First Nations, Drew Hayden Taylor has worn many hats in his literary career, from performing stand-up comedy at the Kennedy Center in Washington, D.C., to lecturing at the British Museum on the films of Sherman Alexie. Over the last two decades, he has been an award-winning playwright (with over seventy productions of his work), a journalist/columnist (with a column in several newspapers across the country), short-story writer, novelist and scriptwriter (The Beachcombers, North of Sixty, etc.), and has worked on seventeen documentaries exploring the Native experience. In 2007, Annick Press published his first children's novel, The Night Wanderer: A Native Gothic Novel, a teen story about an Ojibway vampire. Last year, his non-fiction book exploring the world of Native sexuality, called Me Sexy, was published by Douglas & McIntyre. It is a follow-up to his highly successful book on Native humour, Me Funny.
From the Hardcover edition.
NATIONAL BESTSELLERFINALIST 2013–2014 – First Nations Communities Read “A near-perfect debut, a masterful mythic-comedy balancing contemporary issues and realities with magic and history. . . . Motorcycles & Sweetgrass is a trickster story, but it’s also a fundamentally human account of individuals and of a people struggling to find a place for themselves in the world. . . . A broad, bawdy, raucous, deeply felt and utterly involving narrative, a genuine pleasure to read. . . . Motorcycles & Sweetgrass positively crackles with life, love and magic. What more can you ask of a book?” — Robert J. Wiersema, Edmonton Journal “A winning comedy.”— The Globe and Mail “Motorcycles & Sweetgrass may be concerned with aboriginal community politics, identity, mythology and intergenerational legacies, but it reads like a romp. . . . Yet the book’s real strength is its underlying account of a community struggling to weave an increasingly abstract traditional past with some kind of meaningful future.” — Toronto Star “Drew Hayden Taylor’s got no qualms about poking fun at his Native roots, and that’s what makes Motorcycles & Sweetgrass such a pleasure. It’s playful yet soulful, with a narrative that keeps those pages turning. . . . A fun, rollicking book, and Taylor’s voice is fresh and unique.” — NOW (Toronto) “Taylor brings a modern twist to ancient native folklore. Motorcycles & Sweetgrass is a charming story about the importance of balance and belief—and a little bit of magic—in everyone’s