New Francophone African And Caribbean Theatres

Paperback | August 3, 2010

byJohn Conteh-morganAs told byDominic Thomas

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John Conteh-Morgan explores the multiple ways in which African and Caribbean theatres have combined aesthetic, ceremonial, experimental, and avant-garde practices in order to achieve sharp critiques of the nationalist and postnationalist state and to elucidate the concerns of the francophone world. More recent changes have introduced a transnational dimension, replacing concerns with national and ethnic solidarity in favor of irony and self-reflexivity. New Francophone African and Caribbean Theatres places these theatres at the heart of contemporary debates on global cultural and political practices and offers a more finely tuned understanding of performance in diverse diasporic networks.

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John Conteh-Morgan explores the multiple ways in which African and Caribbean theatres have combined aesthetic, ceremonial, experimental, and avant-garde practices in order to achieve sharp critiques of the nationalist and postnationalist state and to elucidate the concerns of the francophone world. More recent changes have introduced a...

John Conteh-Morgan (1948-2008) was Professor in the Department of French and Italian at the Ohio State University. He is author of Theatre and Drama in Francophone Africa and editor (with Tejumola Olaniyan) of African Drama and Performance (IUP, 2004). Dominic Thomas is Chair of the Department of French and Francophone Studies and Prof...

other books by John Conteh-morgan

Theatre and Drama in Francophone Africa: A Critical Introduction
Theatre and Drama in Francophone Africa: A Critical Int...

Hardcover|Jan 27 1995

$119.24 online$139.95list price(save 14%)
Format:PaperbackDimensions:230 pages, 9 × 6 × 0.62 inPublished:August 3, 2010Publisher:Indiana University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0253222265

ISBN - 13:9780253222268

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Table of Contents

Acknowledgments
Preface by John Conteh-Morgan and Dominic Thomas

Introduction: Instrumentalizing Performance and the Francophone Postcolonial Performative
1. Cultural Trauma and Ritual Re-membering: Werewere Liking's Les mains veulent dire
2. The Dramatist as Epic Performer: Eugène Dervain's Saran, ou La reine scélérate
3. The Power and the Pleasures of Dramatized Narrative: Bernard Zadi Zaourou's La guerre des femmes
4. Theatre as Writing and Voice: Patrick Chamoiseau's Manman Dlo contre la fée Carabosse
5. Tradition Instrumentalized: Elie Stephenson's O Mayouri
6. Militariat Grotesqueries and Tragic Lament: Tchicaya U Tam'si's Le destin glorieux du Maréchal Nnikon Nniku, prince qu'on sort and Le bal de Ndinga
7. From the Grotesque to the Fantastic: Sony Labou Tansi's Qui a mangé Madame d'Avoine Bergotha?
8. Exile and the Failure of the Nation; or, Diasporic Subjectivity from Below: Simone Schwarz-Bart's Ton beau capitaine
Conclusion: Francophone Theatres in the Age of Globalization

References
Index

Editorial Reviews

"John Conteh-Morgan was the preeminent scholar of African theatre in French in the United States. This book establishes the bar (and a high one) for future scholarship on the subject." -Judith G. Miller, New York University