No One Belongs Here More Than You: Stories by Miranda JulyNo One Belongs Here More Than You: Stories by Miranda July

No One Belongs Here More Than You: Stories

byMiranda July

Paperback | May 6, 2008

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“These delightful stories do that essential-but-rare story thing: they surprise. They skip past the quotidian, the merely real, to the essential, and do so with a spirit of tenderness and wonder that is wholly unique. They are (let me coin a phrase) July-esque, which is to say: infused with wonder at the things of the world.” —George Saunders, author of Tenth of December

Award-winning filmmaker and performing artist Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection. In these stories, July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly—they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals their idiosyncrasies and the odd logic and longing that govern their lives. No One Belongs Here More Than You is a stunning debut, the work of a writer with a spectacularly original and compelling voice.
Miranda July is a filmmaker and writer. She wrote, directed, and starred in The Future. Her film, Me and You and Everyone We Know, received a special jury prize at the Sundance Film Festival and the Caméra d'Or at Cannes. Her stories have appeared in The New Yorker, The Paris Review, and Harper's. No One Belongs Here More Than You won ...
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Title:No One Belongs Here More Than You: StoriesFormat:PaperbackDimensions:224 pages, 8 × 5.25 × 0.5 inPublished:May 6, 2008Publisher:ScribnerLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0743299418

ISBN - 13:9780743299411

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Reviews

Rated 5 out of 5 by from Awesome Certain stories were unexpected, but completely loved it
Date published: 2018-07-03
Rated 5 out of 5 by from Beautifully written! I first read this at 14, and I literally thought about it 10 years later. I decided to buy it because I remember loving it, and I still remembered some quotes from the novel! I reread it, and wasn't disappointed. The short stories all relate to some aspect of life, whether it be romance, friendship, family, or sex. Miranda July's writing really inspires the reader to reflect, and helped me to discover truths I had never thought of on my own!
Date published: 2017-04-16
Rated 5 out of 5 by from So Good Miranda July is one of my favourite artists across a variety of mediums. Her first collection of short stories is hilarious, sad, mysterious. surprising and quite strange in the best possible way.
Date published: 2017-03-11
Rated 3 out of 5 by from Weird - but a Good Ride I got this book not fully knowing what I was getting myself into (which I really should have, knowing it's Miranda July). While it was a lot more seductive (sexual? sexy?) than I thought it was going to be, I had a good ride with all of the stories (especially Something That Needs Nothing). If you are a fan of short story books, this is a great one to add to your collection.
Date published: 2017-02-04

Read from the Book

This Person Someone is getting excited. Somebody somewhere is shaking with excitement because something tremendous is about to happen to this person. This person has dressed for the occasion. This person has hoped and dreamed and now it is really happening and this person can hardly believe it. But believing is not an issue here, the time for faith and fantasy is over, it is really really happening. It involves stepping forward and bowing. Possibly there is some kneeling, such as when one is knighted. One is almost never knighted. But this person may kneel and receive a tap on each shoulder with a sword. Or, more likely, this person will be in a car or a store or under a vinyl canopy when it happens. Or online or on the phone. It could be an e-mail re: your knighthood. Or a long, laughing, rambling phone message in which every person this person has ever known is talking on a speakerphone and they are all saying,You have passed the test, it was all just a test, we were only kidding, real life is so much better than that. This person is laughing out loud with relief and playing the message back to get the address of the place where every person this person has ever known is waiting to hug this person and bring her into the fold of life. It is really exciting, and it's not just a dream, it's real. They are all waiting by a picnic table in a park this person has driven past many times before. There they are, it's everyone. There are balloons taped to the benches, and the girl this person used to stand next to at the bus stop is waving a streamer. Everyone is smiling. For a moment this person is almost creeped out by the scene, but it would be so like this person to become depressed on the happiest day ever, and so this person bucks up and joins the crowd. Teachers of subjects that this person wasn't even good at are kissing this person and renouncing the very subjects they taught. Math teachers are saying that math was just a funny way of saying "I love you." But now they are simply saying it, I love you, and the chemistry and PE teachers are also saying it and this person can tell they really mean it. It's totally amazing. Certain jerks and idiots and assholes appear from time to time, and it is as if they have had plastic surgery, their faces are disfigured with love. The handsome assholes are plain and kind, and the ugly jerks are sweet, and they are folding this person's sweater and putting it somewhere where it won't get dirty. Best of all, every person this person has ever loved is there. Even the ones who got away. They hold this person's hand and tell this person how hard it was to pretend to get mad and drive off and never come back. This person almost can't believe it, it seemed so real, this person's heart was broken and has healed and now this person hardly knows what to think. This person is almost mad. But everyone soothes this person. Everyone explains that it was absolutely necessary to know how strong this person was. Oh, look, there's the doctor who prescribed the medicine that made this person temporarily blind. And the man who paid this person two thousand dollars to have sex with him three times when this person was very broke. Both of these men are in attendance, they seem to know each other. They both have little medals that they are pinning on this person; they are badges of great honor and strength. The badges sparkle in the sunlight, and everyone cheers. This person suddenly feels the need to check her post office box. It is an old habit, and even if everything is going to be terrific from now on, this person still wants mail. This person says she will be right back and everyone this person has ever known says, Fine, take your time. This person gets in her car and drives to the post office and opens the box and there is nothing. Even though it is a Tuesday, which is famously a good day for mail. This person is so disappointed, this person gets back in the car and, having completely forgotten about the picnic, drives home and checks the voice mail and there are no new messages, just the old one about "passing the test" and "life being better." There are no e-mails, either, probably because everyone is at the picnic. This person can't seem to go back to the picnic. This person realizes that staying home means blowing off everyone this person has ever known. But the desire to stay in is very strong. This person wants to run a bath and then read in bed. In the bathtub this person pushes the bubbles around and listens to the sound of millions of them popping at once. It almost makes one smooth sound instead of many tiny sounds. This person's breasts barely jut out of the water. This person pushes the bubbles onto the breasts and makes weird shapes with the foam. By now everyone must have realized that this person is not coming back to the picnic. Everyone was wrong; this person is not who they thought this person was. This person plunges underwater and moves her hair around like a sea anemone. This person can stay underwater for an impressively long time but only in a bathtub. This person wonders if there will ever be an Olympic contest for holding your breath under bathwater. If there were such a contest, this person would surely win it. An Olympic medal might redeem this person in the eyes of everyone this person has ever known. But no such contest exists, so there will be no redeeming. This person mourns the fact that she has ruined her one chance to be loved by everyone; as this person climbs into bed, the weight of this tragedy seems to bear down upon this person's chest. And it is a comforting weight, almost human in heft. This person sighs. This person's eyes begin to close, this person sleeps. Copyright © 2007 by Miranda July

Table of Contents

Contents

The Shared Patio

The Swim Team

Majesty

The Man on the Stairs

The Sister

This Person

It Was Romance

Something That Needs Nothing

I Kiss a Door

The Boy from Lam Kien

Making Love in 2003

Ten True Things

The Moves

Mon Plaisir

Birthmark How to Tell Stories to Children

Bookclub Guide

No One Belongs Here More Than You Reading Group Guide Discussion Questions: 1. Many of the characters in Miranda July's stories are lonely, vulnerable and tentative, yet clearly the intent of the author is not to expose or ridicule them but to make them sympathetic to the reader. Are there characters in these stories who unexpectedly win your heart? Are there some whose behavior you cannot understand? 2. In The Shared Patio, the narrator explains that telling Vincent Chang "it's not your fault" was "really the only thing I had ever wanted to say to anyone, and be told" (pg. 7). What does she mean by this? 3. In The Swim Team, "Maria" tells Kelda that resisting putting her face into the bowl of water is "the body telling you it doesn't want to die" (pg. 16). What is it that divides the three elderly people in this story to sign up for swimming lessons? 4. The narrator in Majesty educates people on earthquake safety, engaging her own fears. And she dreams of Prince William? Yet she says "Life is just this way, broken, and I am crazy to hope for something else" (pg. 31), why does she have this dream? Is there a strange optimism in Miranda July's stories? 5. What does The Man on the Stairs represent? Why does the narrator think about the friends she dislikes and the boy at the gas station when she first hears him coming towards her room? Instead of waking Kevin or calling for help, why does she get out of bed and face him by herself? 6. "We do terrible things, we make wars, we kill out of greed. So who are we to say how to love" (pg. 43). Does the narrator in The Sister truly believe his argument for preferring teenage girls, or is this a rationalization that allows him to continue his behavior? When does he first realize Blanca doesn't actually exist? And why does he acquiesce to Victor? 7. What is the "dark shape" in Making Love in 2003? As an adult, why does the narrator believe this darkness has been transformed into her student, Stephen Krause? After discovering he has another girlfriend, why does she write "Peace" on the chalkboard? 8. In Mon Plaisir, what is the significance of Carl and the narrator practicing Buddhism, tai chi, macrobiotic diets, and favoring only things that are "MEANINGFUL" (pg. 148)? 9. In Birthmark, why does the narrator regret her decision to remove her "stain?" What did this mark represent to both her and others? When it reappears, why does her husband believe she'll finally want to have a child with him? 10. When and why does the relationship change between Deb and Lyon in How to Tell Stories to Children? Do you consider their family relationship in the best interest of the three adults, or the child? If her eyes are "triumphant" (pg. 201) when she brings Ed Borger home, what is Lyon trying to win? 11. In Something That Needs Nothing, "Gwen" noticed "We were always getting away with something, which implied that someone was always watching us, which meant we were not alone in this world" (pg. 75). Several of the characters in other stories also mention the idea of someone looking over them. Is this a way of assuring loneliness? 12. Are there any overarching themes that link these stories together? Did you find connections between the characters -- do they occupy similar worlds? 13. Discuss the sense of loneliness in this collection. Which characters feel isolated from the rest of society? Is this their choice? Do any of them change? Enhancing Your Book Club Tips: 1. Not only is Miranda July an award-winning author, she's also an accomplished filmmaker and performer. Before discussing No One Belongs Here More Than You, watch her movie Me and You and Everyone We Know. 2. To find out more information about Miranda July's projects, visit her website at: www.mirandajuly.com. 3. Miranda and artists Harold Fletcher created a participatory website: http://learningtoloveyoumore.com/ Visit it and share what you thought with your bookclub!

Editorial Reviews

"A woman gives swimming lessons in her kitchen -- of course! Miranda July can make anything seem normal in these truly original stories. She has first-rate comic timing and a generous view of the human condition. Maybe best of all, there's joy here, too, often where you would not expect to find it." -- Amy Hempel, author of The Collected Stories of Amy Hempel