Oleanna: A Play by David Mamet

Oleanna: A Play

byDavid Mamet

Paperback | May 4, 1993

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In a terrifyingly short time, a male college instructor and his female student descend from a discussion of her grades into a modern reprise of the Inquisition. Innocuous remarks suddenly turn damning. Socratic dialogue gives way to heated assault. And the relationship between a somewhat fatuous teacher and his seemingly hapless pupil turns into a fiendishly accurate X ray of the mechanisms of power, censorship, and abuse.

About The Author

David Mamet is a Pulitzer Prize-winning playwright and an Academy Award-nominated screenwriter, as well as a director, novelist, poet, and essayist. He has written the screenplays for more than twenty films, including Heist, Spartan, House of Games, The Spanish Prisoner, The Winslow Boy, Wag the Dog, and the Oscar-nominated The Verdict...
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Details & Specs

Title:Oleanna: A PlayFormat:PaperbackDimensions:96 pages, 8 × 5.1 × 0.3 inPublished:May 4, 1993Publisher:Knopf Doubleday Publishing Group

The following ISBNs are associated with this title:

ISBN - 10:067974536X

ISBN - 13:9780679745365

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From Our Editors

In David Mamet's latest play, a male college instructor and his female student sit down to discuss her grades and in a terrifyingly short time become the participants in a modern reprise of the Inquisition. Innocuous remarks suddenly turn damning. Socratic dialogue gives way to heated assault. And the relationship between a somewhat fatuous teacher and his seemingly hapless pupil turns into a fiendishly accurate X ray of the meechanisms of power, censorship, and abuse.

Editorial Reviews

  "David Mamet has raised outrage to an art form. . . . Oleanna is…a scorcher. The woods are burning, and all of us are being seared in the fire.”—Boston Globe   “Mamet’s clenched fist to the gut—and intellect…a vicious and timely riff on sexual harassment and political correctness. Pinter, Albee, Miller. They’re all looking over Mamet’s shoulder.”—New York   “Wholly absorbing…a virtuoso performance…As if ripped right from the typewriter, it could not be more direct in its technique or incendiary in its ambition. . . . Oleanna is likely to provoke more arguments than any other play this year.”—The New York Times   “Our foremost master of the language of moral epilepsy.”—Newsweek