Orientalism And The Operatic World by Nicholas TarlingOrientalism And The Operatic World by Nicholas Tarling

Orientalism And The Operatic World

byNicholas Tarling

Hardcover | April 23, 2015

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Western opera is a globalized and globalizing phenomenon and affords us a unique opportunity for exploring the concept of "orientalism," the subject of literary scholar Edward Said's modern classic on the topic. Nicholas Tarling's Orientalism and the Operatic World places opera in the context of its steady globalization over the past two centuries. In this important survey, Tarling first considers how the Orient appears on the operatic stage in Britain, France, Germany, Russia, and the United States before exploring individual operas according to the region of the "Orient" in which the work is set.Throughout, Tarling offers key insights into such notable operas as George Frideric Handel's Berenice, Giuseppe Verdi's Aida, Giacomo Puccini's Madama Butterfly, Pietro Mascagni's Iris, and others. Orientalism and the Operatic World argues that any close study of the history of Western opera, in the end, fails to support the notion propounded by Said that Westerners inevitably stereotyped, dehumanized, and ultimately sought only to dominate the East through art. Instead, Tarling argues that opera is a humanizing art, one that emphasizes what humanity has in common by epic depictions of passion through the vehicle of song.Orientalism and the Operatic World is not merely for opera buffs or even first-time listeners. It should also interest historians of both the East and West, scholars of international relations, and cultural theorists.
Nicholas Tarling is former professor of history at the University of Auckland, where he taught for nearly thirty years. A specialist in the history of Southeast Asia, he has published extensively on the region's history and culture. As a music aficionado, he has programmed broadcasts on opera for Radio New Zealand, reviews regularly fo...
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Title:Orientalism And The Operatic WorldFormat:HardcoverDimensions:354 pages, 9.11 × 6.29 × 0.99 inPublished:April 23, 2015Publisher:Rowman & Littlefield PublishersLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:1442245433

ISBN - 13:9781442245433

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Table of Contents

OverturePart One: RecitativesChapter 1: Globalising and Glocalising OperaChapter 2: The GenreChapter 3: OrientalismsPart Two: AriasChapter 4: Bible-based operasChapter 5: Crusaders, Arabs and TurksChapter 6: EgyptChapter 7: India and CeylonChapter 8: China.Chapter 9: JapanChapter 10: RussiaFinaleAbout the Author

Editorial Reviews

[Tarling's] accounts of . . . librettos and creative backgrounds, as well as relevant performance history, have been thoroughly researched and thought through. As informed as it is informative, the result is a consistently stimulating read, full of artistic and cultural insights-some of them surprising.