Paranoid Modernism: Literary Experiment, Psychosis, and the Professionalization of English Society

Hardcover | October 15, 2001

byDavid Trotter

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The early twentieth century notoriously saw an unprecedented wave of experiment in the arts. So intense was this activity that one can without exaggeration speak of a will to experiment (to 'make it new'). Where did that will to experiment come from? Why did it so insistently take the forms ittook? Looking specifically at Modernism in England, David Trotter seeks answers in the careers of three novelists writing in the first decades of the century: Ford Madox Ford, D. H. Lawrence, and Wyndham Lewis. The context he proposes for their work is that of contemporary understandings of thefunction and value of expertise, and of the dilemmas peculiar to those possessing it. There is a certain madness about the expert's pursuit of expertise, and about his or her disappointment if expertise fails to yield adequate social recognition. The early psychiatric literature identified thismadness as paranoia, and the textbooks and case-histories find an uncanny echo in Modernist fiction. In the obstinacy of their will to experiment, Ford, Lawrence, and Lewis wrote about, and lived, paranoia. To understand that obstinacy in its professional and psychiatric contexts is to approach froma new and unexpected angle the preoccupations with gender and with the politics of culture which currently characterize the study of Modernism. The energies it shook loose in their writing are energies which, evading absorption into the 'postmodern', continue to shape Western society and culture tothis day.

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The early twentieth century notoriously saw an unprecedented wave of experiment in the arts. So intense was this activity that one can without exaggeration speak of a will to experiment (to 'make it new'). Where did that will to experiment come from? Why did it so insistently take the forms ittook? Looking specifically at Modernism in ...

David Trotter is Quain Professor of English Language and Literature, University College London.

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Format:HardcoverDimensions:364 pages, 8.5 × 5.43 × 0.98 inPublished:October 15, 2001Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0198187556

ISBN - 13:9780198187554

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Table of Contents

Introduction1. A Brief History of Paranoia2. Paranoia, Psychoanalysis, and Cultural Theory3. Career Development: William Godwin, Wilkie Collins, and the Psychopathologies of Expertise4. Towards an Epidemiology of Paranoid Narrative5. One of Whom? Lord Jim and 'Ability in the Abstract'6. Ford's Impressionism7. The Will-to-Abstraction: Hulme, Lewis, Lawrence8. D. H. Lawrence: Women in Love, Men in Madness9. Wyndham Lewis's Professions10. Beyond Modernism, Beyond ParanoiaIndex