Passing Strange: Shakespeare, Race, and Contemporary America

Paperback | April 29, 2013

byAyanna Thompson

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Notions, constructions, and performances of race continue to define the contemporary American experience, including our conceptions, performances, and employments of Shakespeare. Passing Strange examines the contact zones between American constructions of Shakespeare and American constructionsof race by asking: How is Shakespeare's universalism constructed within explicit discussions and debates about racial identity? Of what benefit is the promotion of Shakespeare and Shakespearean programs to incarcerated and/or at-risk persons of color? Are they aesthetic, moral, or linguistic? DoShakespeare's plays need to be edited, appropriated, revised, updated, or rewritten to affirm racial equality and relevance? Do the answers to these questions impact our understanding of authorship, authority, and authenticity? A book that does not shy away from controversial topics or unconventional approaches, Passing Strange examines a wide range of contemporary texts and performances, including contemporary films, novels, theatrical productions, YouTube videos, and arts education programs. In addition, Passing Strangeis written for a broad readership, including Shakespeare scholars, secondary school teachers, theatre practitioners, racial activists, and arts education organizers. Uniquely, this book challenges its readers to see American constructions of race and Shakespeare in glorious Technicolor.

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Notions, constructions, and performances of race continue to define the contemporary American experience, including our conceptions, performances, and employments of Shakespeare. Passing Strange examines the contact zones between American constructions of Shakespeare and American constructionsof race by asking: How is Shakespeare's uni...

Ayanna Thompson is Associate Dean of Faculty in the College of Liberal Arts and Sciences and Professor of English at Arizona State University. She specializes in Renaissance drama and focuses on issues of race and performance.

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Format:PaperbackDimensions:240 pages, 9.21 × 6.14 × 0.68 inPublished:April 29, 2013Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0199987963

ISBN - 13:9780199987962

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Table of Contents

Acknowledgments1. Introduction: The Passing Strangeness of Shakespeare in America2. Universalism: Two Films that Brush with the Bard, Suture and Bringing Down the House3. Essentialism: Meditations Inspired by Farrukh Dondy's novel Black Swan4. Multiculturalism: The Classics, Casting, and Confusion5. Original(ity): Othello and Blackface6. Reform: Redefining Authenticity in Shakespeare Reform Programs7. Archives: Classroom-Inspired Performance Videos on YouTube8. Conclusion: Passing Race and Passing Shakespeare in Peter Sellars's OthelloNotesWorks CitedIndex