Performing Image by Isobel HarbisonPerforming Image by Isobel Harbison

Performing Image

byIsobel Harbison

Hardcover | April 9, 2019

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An examination of how artists have combined performance and moving image for decades, anticipating our changing relation to images in the internet era.

In Performing Image, Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation-from home video to social media-suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbison offers close analyses of works by such artists as Robert Rauschenberg, Yvonne Rainer, Mark Leckey, Wu Tsang, and Martine Syms.

Harbison argues that while we produce images, images also produce us-those that we take and share, those that we see and assimilate through mass media and social media, those that we encounter in museums and galleries. Although all the artists she examines express their relation to images uniquely, they also offer a vantage point on today's productive-consumptive image circuits in which billions of us are caught. This unregulated, all-encompassing image performativity, Harbison writes, puts us to work, for free, in the service of global corporate expansion. Harbison offers a three-part interpretive framework for understanding this new proximity to images as it is negotiated by these artworks, a detailed outline of a set of connected practices-and a declaration of the value of art in an economy of attention and a crisis of representation.

Title:Performing ImageFormat:HardcoverProduct dimensions:256 pages, 9 × 6 × 0.81 inShipping dimensions:9 × 6 × 0.81 inPublished:April 9, 2019Publisher:The MIT PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0262039214

ISBN - 13:9780262039215


Editorial Reviews

"As we attempt to make sense of the increasingly dizzying speed and volume of images, Isobel Harbison's volume provides a usefully speculative history for where we find ourselves today. Highlighting the ways artists have worked with and against representation by playing in spaces between live and captured performance, hers is not the usual dire prognosis of all-encompassing spectacle and consumerism. Instead, while acknowledging the intensities and appetites of high capitalist culture, she insists on art's place in producing values that are strictly defined by neither."-Johanna Burton, Keith Haring Director and Curator of Education and Public Engagement at the New Museum in New York City