Peripheral Vision: Bell Labs, The S-c 4020, And The Origins Of Computer Art by Zabet PattersonPeripheral Vision: Bell Labs, The S-c 4020, And The Origins Of Computer Art by Zabet Patterson

Peripheral Vision: Bell Labs, The S-c 4020, And The Origins Of Computer Art

byZabet PattersonSeries edited byNick Montfort, Ian Bogost

Hardcover | July 17, 2015

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How the S-C 4020-a mainframe peripheral intended to produce scientific visualizations-shaped a series of early computer art projects that emerged from Bell Labs.

In 1959, the electronics manufacturer Stromberg-Carlson produced the S-C 4020, a device that allowed mainframe computers to present and preserve images. In the mainframe era, the output of text and image was quite literally peripheral; the S-C 4020-a strange and elaborate apparatus, with a cathode ray screen, a tape deck, a buffer unit, a film camera, and a photo-paper camera-produced most of the computer graphics of the late 1950s and early 1960s. At Bell Laboratories in Murray Hill, New Jersey, the S-C 4020 became a crucial part of ongoing encounters among art, science, and technology. In this book, Zabet Patterson examines the extraordinary uses to which the Bell Labs SC-2040 was put between 1961 and 1972, exploring a series of early computer art projects shaped by the special computational affordances of the S-C 4020.

The S-C 4020 produced tabular data, graph plotting and design drawings, grid projections, and drawings of axes and vectors; it made previously impossible visualizations possible. Among the works Patterson describes are E. E. Zajac's short film of an orbiting satellite, which drew on the machine's graphic capacities as well as the mainframe's calculations; a groundbreaking exhibit of "computer generated pictures" by Béla Julesz and Michael Noll, two scientists interested in visualization; animations by Kenneth Knowlton and the Bell Labs artist-in-residence Stan VanDerBeek; and Lillian Schwartz's "cybernetic" film Pixillation.

Arguing for the centrality of a peripheral, Patterson makes a case for considering computational systems not simply as machines but in their cultural and historical context.

Zabet Patterson is Assistant Professor of Contemporary Art and Digital Media at Stony Brook University.
Title:Peripheral Vision: Bell Labs, The S-c 4020, And The Origins Of Computer ArtFormat:HardcoverProduct dimensions:152 pages, 9 × 6 × 0.69 inShipping dimensions:9 × 6 × 0.69 inPublished:July 17, 2015Publisher:The MIT PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0262029529

ISBN - 13:9780262029520


Editorial Reviews

Peripheral Vision tells the story of Bell Labs's famed engineering and arts collaborations in the 1960s. Whereas previous accounts tend to emphasize the mainframe computer as a singular, programmable device, Patterson set her sights on the peripheral machinery that made the experiments possible by making Bell Labs's Stromberg-Carlson 4020 plotter printer the main character in this riveting and timely narrative.-Hannah B Higgins, Professor, Department of Art History, University of Illinois at Chicago