Photography And Germany

June 15, 2017|
Photography And Germany by Andrés Mario Zervigón
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The idea of photography in Germany evokes everything from the pioneering modernist pictures of the Weimar era to the colossal digital prints that define art photography today. But it also recalls horrifying documents of wartime atrocities and the relentless surveillance of East German citizens. Photography and Germany broadens these perceptions by examining the medium’s multi-faceted relationship with Germany’s turbulent cultural, political, and social history while rethinking the notion of German photography with fresh insights on its historical context.
           
Andrés Mario Zervigón covers this history from the region’s pre-photographic experiments with light-sensitive chemicals to today’s tension between analog and digital technologies. Rather than simply providing a survey of German photography, however, he focuses on how the medium, as a product of the modern age, has intervened in a fraught project of national imagining, often to productive ends but sometimes to catastrophic results. Richly illustrated with numerous previously unpublished images, Photography and Germany is the first single-authored history of photography in Germany ever published, one that deepens our broader understanding of how photography cultivates notions of a nation and its inhabitants.
 
Andrés Mario Zervigón is professor of the history of photography at Rutgers, the State University of New Jersey. His previous books include John Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant-garde Photomontage and Photography and Its Origins, the latter coedited with Tanya Sheehan.
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Title:Photography And Germany
Format:Paperback
Product dimensions:224 pages, 8.67 X 7.5 X 0.9 in
Shipping dimensions:224 pages, 8.67 X 7.5 X 0.9 in
Published:June 15, 2017
Publisher:Reaktion Books
Language:English
Appropriate for ages:All ages
ISBN - 13:9781780237480

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