Plague and the Athenian Imagination: Drama, History, and the Cult of Asclepius by Robin Mitchell-BoyaskPlague and the Athenian Imagination: Drama, History, and the Cult of Asclepius by Robin Mitchell-Boyask

Plague and the Athenian Imagination: Drama, History, and the Cult of Asclepius

byRobin Mitchell-Boyask

Paperback | June 30, 2011

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The great plague of Athens that began in 430 BCE had an enormous effect on the imagination of its literary artists and on the social imagination of the city as a whole. In this 2007 book, Professor Mitchell-Boyask studies the impact of the plague on Athenian tragedy early in the 420s and argues for a significant relationship between drama and the development of the cult of the healing god Asclepius in the next decade, during a period of war and increasing civic strife. The Athenian decision to locate their temple for Asclepius adjacent to the Theater of Dionysus arose from deeper associations between drama, healing and the polis that were engaged actively by the crisis of the plague. The book also considers the representation of the plague in Thucydides' History as well as the metaphors generated by that representation which recur later in the same work.
Title:Plague and the Athenian Imagination: Drama, History, and the Cult of AsclepiusFormat:PaperbackDimensions:224 pages, 9.02 × 5.98 × 0.51 inPublished:June 30, 2011Publisher:Cambridge University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0521296374

ISBN - 13:9780521296373

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Table of Contents

Prologue; 1. Introduction; 2. Death, myth and drama before the Plague; 3. Materials I: the language of disease in tragedy; 4. Plague, cult and drama: Euripides' Hippolytus; 5. Oedipus and the Plague; 6. Trachiniae and the Plague; 7. Materials II: the cult of Asclepius and the Theater of Dionysus; 8. Disease and stasis in Euripidean drama: tragic pharmacology on the south slope of the Acropolis; 9. The Athenian Asklepieion and the end of Philoctetes; 10. Conclusions and afterthoughts.

Editorial Reviews

This is clearly a book that could only be written by a seasoned scholar who has spent a great deal of time with Greek tragedy. Its observations are so wide-ranging and comprehensive, the connections it draws so ingenious and unexpected, that they could only be the product of long engagement with these texts. Even if they ultimately decide not to side with M-B on many of his particular readings, students of tragedy, ancient medicine, and Athenian social and religious history will undoubtedly benefit from this creative and original book. --BCMR