Playing the Races: Ethnic Caricature and American Literary Realism by Henry B. WonhamPlaying the Races: Ethnic Caricature and American Literary Realism by Henry B. Wonham

Playing the Races: Ethnic Caricature and American Literary Realism

byHenry B. Wonham

Hardcover | December 15, 2004

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Why did so many of the writers who aligned themselves with the social and aesthetic aims of American literary realism rely on stock conventions of ethnic caricature in their treatment of immigrant and African-American figures? As a self-described "tool of the democratic spirit," designed to"prick the bubble of abstract types," literary realism would seem to have little in common with the aggressively dehumanizing comic imagery that began to proliferate in magazines and newspapers after the Civil War. Indeed, critics such as Alain Locke hailed realism's potential to accomplish "theartistic emancipation of the Negro," a project that logically extended to other groups systematically misrepresented in the comic imagery of the period. From the influential "Editor's Study" at Harper's Monthly, William Dean Howells touted the democratic impulse of realist imagery as an alternativeto romanticism's "pride of caste," which is "averse to the mass of men" and "consents to know them only in some conventionalized and artificial guise." Yet if literary realism pursued the interests of democracy by affirming "the equality of things and the unity of men," why did its major practitioners, including Howells himself, regularly employ comic typification as a feature of their representational practice? Critics have often dismissed suchapparent lapses in realist practice as blind spots, vestiges of a genteel social consciousness that failed to keep pace with realism's avowed democratic aspirations. Such explanations are useful to a point, but they overlook the fact that the age of realism in American art and letters wassimultaneously the great age of ethnic caricature. Henry B. Wonham argues that these two aesthetic programs, one committed to representation of the fully humanized individual, the other invested in broad ethnic abstractions, operate less as antithetical choices than as complementary impulses, bothof which receive full play within the period's most demanding literary and graphic works. The seemingly anomalous presence of gross ethnic abstractions within works by Howells, Twain, James, Wharton, and Chesnutt hints at realism's vexed and complicated relationship with the caricatured ethnicimages that played a central role in late nineteenth-century American thinking about race, identity, and national culture. In illuminating that relationship, Playing the Races offers a fresh understanding of the rich literary discourse conceived at the intersection of the realist and the caricaturedimage.
Henry B. Wonham is at University of Oregan.
Title:Playing the Races: Ethnic Caricature and American Literary RealismFormat:HardcoverDimensions:208 pages, 6.3 × 9.29 × 0.98 inPublished:December 15, 2004Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0195161947

ISBN - 13:9780195161946


Editorial Reviews

"Playing the Races makes an important contribution to our general understanding of the way that race functions in art and literature; it restores a fair amount of unknown material to cultural histories of the US at the turn of the nineteenth century; and it provides a new perspective on somevery formidable literary reputations, even in the case of Twain, where it might have seemed that all had long been said on the depiction of race in his works."--Michael North, University of California, Los Angeles