Postcolonial Artists And Global Aesthetics by Akinwumi AdesokanPostcolonial Artists And Global Aesthetics by Akinwumi Adesokan

Postcolonial Artists And Global Aesthetics

byAkinwumi Adesokan

Paperback | October 21, 2011

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What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of culture in a globalized world. He tackles problems such as artistic representation in the era of decolonization, the uneven development of aesthetics across the world, and the impact of location and commodity culture on genres, with a distinctive approach that exposes the global processes transforming cultural forms.

Akin Adesokan is Assistant Professor of Comparative Literature at Indiana University Bloomington and author of the novel Roots in the Sky. His writings have appeared in Screen, Textual Practice, Chimurenga, and Research in African Literatures.
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Title:Postcolonial Artists And Global AestheticsFormat:PaperbackDimensions:252 pages, 9 × 6 × 0.8 inPublished:October 21, 2011Publisher:Indiana University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0253223458

ISBN - 13:9780253223456

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Table of Contents

Preface
Acknowledgments

Introduction: Generic Transformations at the Crossroads of Capital
1. C. L. R. James Sees the World Steadily
2. Fitful Decolonization: Xala and the Poetics of Double Fetishism
3. Tunde Kelani's Nollywood: Aesthetics of Exhortation
4. Jean-Pierre Bekolo and the Challenges of Aesthetic Populism
5. Imaginary Citizenship: Caryl Phillips's Atlantic World
6. Spirits of Bandung: A Sarcastic Subject Writes to Empire
Conclusion: Being African in the World

Notes
List of References
Filmography
Index

Editorial Reviews

"Postcolonial Artists and Global Aesthetics is very much a book for postcolonial studies scholars to think with.... Adesokan provides a systematic way of thinking about the deep structural links that unite globalization and decolonization, as world-historical social formations, in the work of artists from what was once called the 'Third World.' Borrowing from network theory, Adesokan demonstrates how we might create new cognitive maps of the postcolonial 'Third World' based on links and ties across geographic space and in relationship to the metropoles, an approach that justifies his own pairing of African, Caribbean, and South Asian artists and thinkers." -African Studies Review