Intersecting Art And Technology In Practice: Techne/technique/technology by Camille C BakerIntersecting Art And Technology In Practice: Techne/technique/technology by Camille C Baker

Intersecting Art And Technology In Practice: Techne/technique/technology

EditorCamille C Baker

Hardcover | December 29, 2016

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This book focuses on the artistic process, creativity and collaboration, and personal approaches to creation and ideation, in making digital and electronic technology-based art. Less interested in the outcome itself ' the artefact, artwork or performance ' contributors instead highlight the emotional, intellectual, intuitive, instinctive and step-by-step creation dimensions. They aim to shine a light on digital and electronic art practice, involving coding, electronic gadgetry and technology mixed with other forms of more established media, to uncover the practice-as-research processes required, as well as the collaborative aspects of art and technology practice.

Camille C Bakeris a Reader in the School of Communication Design, University for the Creative Arts, Epsom, UK. She is a media artist/curator/Reader in digital media with recent work in participatory mobile and sensor performance using wearable technologies, now exploring creative coding and electronic development for smart-fashion proj...
Title:Intersecting Art And Technology In Practice: Techne/technique/technologyFormat:HardcoverDimensions:242 pages, 9.41 × 7.24 × 0.98 inPublished:December 29, 2016Publisher:Taylor and FrancisLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:1138934119

ISBN - 13:9781138934115

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Table of Contents


Ruth Catlow and Marc Garrett


Camille Baker and Kate Sicchio

Theme 1: Artistic process/challenges

1. Intuition and Creative Process Methodologies in Digital Performance

Camille Baker

2. 60ma: experimenting with performing with electrodes/ experiences in digital art practice

Georg Hobmeier

3. The Bleeding Self in Digital Performance Practice: artistic challenges in digital media practice

Lorna Moore

4. Making Speculative Technologies

Kristina Anderson

5. Construction of processes to live audiovisual performance

Ana Carvalho

6. NO PLACE: Presence, Performance and Virtuality

Kate Genevieve

7. Imagination, Art and Reality

Ben Bogart

Theme 2: Collaborations

8. Cultivating permaCultural resilience (pCr) : The permaCultural d've as an Itinerant's approach to a techne of becoming

Anita McKoewn

9. The Immanent Researcher

Kate Sicchio

10. Temporal Scaffolding: A collaborative and networked infrastructure of techne, screendance, AR, affect, place and smart mobile devices in the project AffeXity

Jeannette Ginslov

11. Neurocinematics: the first hand experience of a filmmaker in collaboration with neuroscientists

Pia Tikka

12. Shifting Our Horizons: Exploring Mobility In Micro Production & Floating Exhibition

Max Schleser and Antony Nevin

Theme 3: Shared Knowledge:

13. Sharing Knowledge through Networked Collaboration

Helen Varley Jamieson

14. Methodologies of Risk and Experimental Prototyping

Nancy Mauro-Flude

15. Behind the Idea and meta models for creativity

Alison Williams

16. Mass Collaboration through Software and why we need a 'Keeper' Movement

Alex May

17. Generative Approaches for Meaning Making in Art

Aleksandra Dulic and Kenneth Newby