Representations of Elizabeth I in Early Modern Culture by A. PetrinaRepresentations of Elizabeth I in Early Modern Culture by A. Petrina

Representations of Elizabeth I in Early Modern Culture

byA. PetrinaEditorL. Tosi

Hardcover | April 12, 2011

Pricing and Purchase Info

$114.08 online 
$144.95 list price save 21%
Earn 570 plum® points

Prices and offers may vary in store


In stock online

Ships free on orders over $25

Not available in stores


The volume explores Elizabeth I's impact on English and European culture during her life and after her death, through her own writing as well as through contemporary and later writers. The contributors are codicologists, historians and literary critics, offering a varied reading of the Queen and of her cultural inheritance.
CARLO M. BAJETTA Professor of English Literature at the Université de la Vallée d'Aoste, Italy PAOLA BASEOTTO Lecturer at the Università degli Studi dell'Insubria, Como, Italy EFFIE BOTONAKI Lecturer at the Greek Open University and Aristotle University, Greece GUILLAUME COATALEN Lecturer in Renaissance English Literature at the Univer...
Title:Representations of Elizabeth I in Early Modern CultureFormat:HardcoverDimensions:281 pages, 8.5 × 5.51 × 1.03 inPublished:April 12, 2011Publisher:Palgrave MacmillanLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0230278175

ISBN - 13:9780230278172

Look for similar items by category:


Table of Contents

Introduction: 'A monarch in writing'; A.Petrina Prologue: 'I am Richard the Second'; S.Orgel PART I: THE WORD OF A PRINCE: ELIZABETH WRITING The Queen's two hands; J.Gibson Mary Stuart's Execution and Queen Elizabeth's Divided Self; P.Baseotto 'Ma plume vous pourra exprimer': Elizabeth's French Correspondance; G.Coatalen 'Most peereles Poëtresse': The Manuscript Circulation of Elizabeth's Poems; C.Bajetta PART II: WE PRINCES ARE SET ON STAGES: MASQUES AND CEREMONIES OF ROYAL SELF-DISPLAY The Monarch as Represented in the Ceremony of Coronation; J.Dillon Elizabeth's Presence in the Jacobean Masque; E.Botonaki Lady of the Lake or Queen of the Ocean? The Representation of Female Power in Prince Henry's Barriers and Tethys' Festival; S.Trevisan PART III: IN MIRRORS MORE THAN ONE: ELIZABETH AND REPRESENTATIONS OF FEMALE SOVEREIGNTY Performing the Apocalypse: Sibylline Prophecy and Elizabeth I; J.L.Malay Under Italian eyes: Petruccio Ubaldini's Verbal Portraits of Queen Elizabeth; G.Iamartino Never a Merry World: The Rhetoric of Nostalgia in Elizabethan England; K.Johanson No Country for Old Women?; Y.Oram 'A queen in jest': Queenship and Historical Subversion in Shakespeare's 3 Henry VI and Richard III; K.Mudan Mirrors for Female Rulers: Elizabeth I and the Duchess of Malfi; L.Tosi Index

Editorial Reviews

"This new essay collection makes a serious and significant contribution to studies of Elizabeth I. A diversity of approaches sheds new light on this iconic queen, investigating the materiality of her own writings as well as her influence on stagings of female power. We are invited to view her from perspectives of prophecy and nostalgia, and to look afresh at this endlessly fascinating monarch."-- Helen Hackett, University College London, UK  "This considered and cohesive sequence of essays on the cultural presence of Elizabeth I is both elegant and timely. The collection is given a distinguished focus in the Prologue contributed by the celebrated expert on Elizabethan culture and drama, Stephen Orgel, with its poised consideration of the relation between the arts and the “monarch’s will.” Thereafter, the book’s three sections explore the image and presence of the queen: in her own words, in the events and writings which she promoted and patronised, and in subsequent recollection and reinterpretation. The focus throughout is international with significant work on Elizabeth’s use of French and on Elizabeth’s appearance in the eyes of an Italian contemporary. Her place in time is considered in many aspects: as a figure embodying past virtues, as the presiding goddess of a glorious present, and as the prophetess of a new order to come. One of the distinguishing features of this collection is the awareness which accompanies all these investigations of the elements of improvisation and insecurity which formed the counterpoint to the public triumphs of Elizabeth. There are particularly rich reflections on dramatic echoes of Elizabeth’s governance in the plays of Webster and Shakespeare.The continental focus of the volume is particularly welcome, offering the reader new discoveries on the map of the queen’s world. This focus also points silently to a palpable absence of Elizabethan culture: the ambiguous withdrawal of her realm from the international respublica litterarum, from the possibility of comparison.This collection is as notable for the careful selection of subjects and editorial shaping of a coherent whole as it is for the skill and knowledge of the individual contributors. The Introduction draws the whole volume together in its finely-nuanced consideration of Elizabeth as a subject placed in time."-- Peter Davidson, Professor of Renaissance Studies, University of Aberdeen, UK