Representing Shakespearean Tragedy: Garrick, the Kembles, and Kean by Reiko OyaRepresenting Shakespearean Tragedy: Garrick, the Kembles, and Kean by Reiko Oya

Representing Shakespearean Tragedy: Garrick, the Kembles, and Kean

byReiko Oya

Paperback | February 17, 2011

Pricing and Purchase Info

$41.16

Earn 206 plum® points

In stock online

Ships free on orders over $25

Not available in stores

about

Reiko Oya explores theatrical expressions of Shakespearean tragedy in Georgian London and the relations between the representative players of the time - David Garrick, John Philip Kemble and his sister Sarah Siddons, and Edmund Kean - and their close circle of friends. The book begins by analysing the tragic emotion that Garrick conveyed through his performance of King Lear, and the responses to it from such critics as Samuel Johnson and Elizabeth Montagu. The second chapter examines the concept of sublimity in Kemble and Siddons' interpretations of Macbeth. The final chapter studies the disparity between the literary and the theatrical Hamlet in Kean's impersonation and William Hazlitt's response to it. With subjects ranging from Shakespearean promptbooks to paintings and the poetics of Romanticism, the book offers great insights into the exchange of ideas and inspirations among the cultural luminaries who surrounded the London stage.
Title:Representing Shakespearean Tragedy: Garrick, the Kembles, and KeanFormat:PaperbackDimensions:258 pages, 9.02 × 5.98 × 0.59 inPublished:February 17, 2011Publisher:Cambridge University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0521181402

ISBN - 13:9780521181402

Look for similar items by category:

Customer Reviews of Representing Shakespearean Tragedy: Garrick, the Kembles, and Kean

Reviews

Table of Contents

Introduction: Garrick's prologue; 1. Winding up 'th'untuned and jarring senses': Garrick, King Lear, and contemporary theatrical/literary criticism; 2. 'Who dares do more': Kemble, Siddons, and the question of sublimity in Macbeth; 3. 'Speak the speech, I pray you': Kean, Hamlet, and the Romantic 'playwrights'; Conclusion: Kean's farewell.