Rereading the Imperial Romance: British Imperialism and South African Resistance in Haggard…

Hardcover | August 1, 2000

byLaura Chrisman

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This book examines literary romance as a vehicle for the ideological contradictions of British imperialism in South Africa. Chrisman draws upon postcolonial theory and cultural materialism to discuss the imperialist Rider Haggard's fictional accounts of mining in King Solomon's Mines, and Zuluhistory in Nada the Lily, examining these novels as fraught responses to the introduction of capitalist modernity. She goes on to analyse the counter-narratives of metropolitan and African resistance of feminist Olive Schreiner and black nationalist Sol Plaatje. Exploring Schreiner's much-neglectedTrooper Peter Halket of Mashonaland, Chrisman situates this book in relation to the violent creation of 'Rhodesia', the 1896-7 Shona uprisings, and contemporary criticism of Cecil Rhodes. In doing so, she shows how Schreiner's is a much more challenging example of anti-imperialist fiction thanConrad's Heart of Darkness, published two years later. Chrisman's discussion of Plaatje's Mhudi-the first black African novel in English-considers the book as a direct response to Haggard's imperialism and Schreiner's feminist theory. Locating the book through the politics and epistemology of theearly ANC, she reveals how Plaatje challenges Haggard's misogyny and fatalistic historiography. Mhudi, she argues, is a novel whose nationalist and sexual politics are considerably more complex than has been recognized. Plaatje uses his narrative form to articulate both radical and liberalalternatives to white South African rule. Chrisman's book demonstrates how South Africa played an important if now overlooked role in British imperial culture, and shows the impact of capitalism itself in the making of racial, gender and national identities. This book makes an original contribution to studies of Victorian literature ofempire; South African literary history; African studies; black nationalism; and the literature of resistance.

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This book examines literary romance as a vehicle for the ideological contradictions of British imperialism in South Africa. Chrisman draws upon postcolonial theory and cultural materialism to discuss the imperialist Rider Haggard's fictional accounts of mining in King Solomon's Mines, and Zuluhistory in Nada the Lily, examining these n...

Laura Chrisman is at University of Sussex.

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Format:HardcoverDimensions:252 pages, 8.5 × 5.43 × 0.75 inPublished:August 1, 2000Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0198122993

ISBN - 13:9780198122999

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Table of Contents

IntroductionManufacturing mystery from mining: King Solomon's MinesTrading on Africa: King Solomon's MinesThe British conquest of Zululand: Haggard's politics and ideologyThe fictions of Zulu history: Nada the LilyColonialism demystified: Trooper Peter Halket of MashonalandAlternative empires? Englishness and Christianity in Trooper Peter Halket of MashonalandTransforming Haggardian romance: pastoralism and sexual politics in MhudiComplex relations: African nationalism, imperialism, and form in Mhudi