Revolutionary Horizons: Art And Polemics In 1950s Cuba by Abigail McewenRevolutionary Horizons: Art And Polemics In 1950s Cuba by Abigail Mcewen

Revolutionary Horizons: Art And Polemics In 1950s Cuba

byAbigail Mcewen

Hardcover | November 8, 2016

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Modernism in Havana reached its climax during the turbulent years of the 1950s as a generation of artists took up abstraction as a means to advance artistic and political goals in the name of Cuba Libre. During a decade of insurrection and, ultimately, revolution, abstract art signaled the country’s cultural worldliness and its purchase within the international avant-garde. This pioneering book offers the first in-depth examination of Cuban art during that time, following the intersecting trajectories of the artist groups Los Once and Los Diez against a dramatic backdrop of modernization and armed rebellion. Abigail McEwen explores the activities of a constellation of artists and writers invested in the ideological promises of abstraction, and reflects on art’s capacity to effect radical social change. Featuring previously unpublished artworks, new archival research, and extensive primary sources, this remarkable volume excavates a rich cultural history with links to the development of abstraction in Europe and the Americas.




 Abigail McEwen is associate professor of Latin American art history at the University of Maryland, College Park.            
Title:Revolutionary Horizons: Art And Polemics In 1950s CubaFormat:HardcoverDimensions:272 pages, 10 × 8 × 0.98 inPublished:November 8, 2016Publisher:Yale University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0300216815

ISBN - 13:9780300216813


Editorial Reviews

"Abigail McEwen illuminates a period in Cuban art and culture that has not been treated in depth or with intellectual rigor until now. Her prose is clear, her analysis rich and complex, and her respect for the inherent qualities of the works of art, in and of themselves, is refreshing. Revolutionary Horizons is the kind of art history that Cuban culture needs. It is a model to be emulated."—Alejandro Anreus, William Paterson University