Romanticism and the Uses of Genre

Paperback | October 10, 2013

byDavid Duff

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This wide-ranging and original book reappraises the role of genre, and genre theory, in British Romanticism. Analyzing numerous examples from 1760 to 1830, David Duff examines the generic innovations and experiments which propel the Romantic "revolution in literature", but also the fascinationwith archaic forms such as the ballad, sonnet, and romance, whose revival and transformation make Romanticism a "retro" movement as well as a revolutionary one. The tension between the drives to "make it old" and to "make it new" generates one of the most dynamic phases in the history of literature,whose complications are played out in the critical writing of the period as well as its creative literature. Incorporating extensive research on classification systems and reception history as well as on literary forms themselves, Romanticism and the Uses of Genre demonstrates how new ideas about the role and status of genre influenced not only authors but also publishers, editors, reviewers, and readers.The focus is on poetry, but a wider spectrum of genres is considered, a central theme being the relationship - hierarchical, competitive, combinatory - between genres. Among the topics addressed are generic primitivism and forgery; Enlightenment theory and the "cognitive turn"; the impact of Germantranscendental aesthetics; organic and anti-organic form; the role of genre in the French Revolution debate; the poetics of the fragment; and the theory and practice of genre-mixing. Unprecedented in its scope and detail, this important book establishes a new way of reading Romantic literature which brings into focus for the first time its tangled relationship with genre.

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This wide-ranging and original book reappraises the role of genre, and genre theory, in British Romanticism. Analyzing numerous examples from 1760 to 1830, David Duff examines the generic innovations and experiments which propel the Romantic "revolution in literature", but also the fascinationwith archaic forms such as the ballad, sonn...

David Duff is Senior Lecturer in English at the University of Aberdeen. After graduate studies at the University of York, he spent three years teaching British and American literature in Poland, where he was British Council lecturer at the University of Gdansk. He has also been a visiting lecturer at the College of William and Mary in ...

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Format:PaperbackDimensions:272 pages, 9.21 × 6.14 × 0.68 inPublished:October 10, 2013Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0199683328

ISBN - 13:9780199683321

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Table of Contents

PrefaceList of IllustrationsIntroduction1. The Old Imperial Code2. Romantic Genre Theory3. (Anti)-Didacticism4. Archaism and Innovation5. The Combinatorial MethodConclusionBibliographyIndex

Editorial Reviews

"Duff's elegant, lucid prose and his careful documentation reinforce his compelling thesis that during the Romantic era genres (and genre theories) were neither degraded nor compromised but were, to the contrary, revived, subverted and most of all recombined for strikingly new artistic andideological purposes. Books that offer a genuinely 'fresh' look - a startlingly new perspective - are rare: this is one such book, and reading it is richly rewarding." --Stephen C. Behrendt, British Association of Romantic Studies Bulletin and Review